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Hard Truths 2024 - ()
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The Wish Swap 2025 - ()
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Turn Me On 2024 - ()
Melanies Grave 2024 - ()
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Black Diamond 2025 - ()
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Fight Another Day 2024 - ()
Down Below 2024 - ()
Over The Red River 2024 - ()
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The cast order is taken from the movie's opening credits. The final credits list the cast in order of appearance. The IMDB cast order is in order of appearance, i.e. the same as the movie's final credits.
She's got a dead fish where her heart should be. Ride the Pink Horse is directed by Robert Montgomery and adapted to screenplay by Ben Hecht and Charles Lederer from the novel of the same name written by Dorothy B. Hughes. Montgomery also stars and is supported by Wanda Hendrix, Thomas Gomez, Fred Clark, Andrea King and Art Smith. Music is by Frank Skinner and cinematography by Russell Metty. WWII Veteran Lucky Gagin (Montgomery) arrives in San Pablo during Fiesta time with the intention of blackmailing the man responsible for the death of his pal. 1947 was a super year for film noir as a film making style, it's also a year that still even today hides little nuggets awaiting evaluation by noir fans, Ride the Pink Horse is one such piece. It feels a bit daft to suggest it's under seen, given that Gomez was nominated for a best Supporting Actor Academy Award (deserved as well) and Montgomery had made waves this year with his gimmicky production of The Lady in the Lake, but it does scream out as being little known. The title is a curious starting point, it's a reference to the carousel run by Gomez's Pancho character, a title that doesn't exactly scream out that this is a feverish noir, but that is exactly what it is. This is very much a bedfellow for Carol Reed's superb Odd Man Out (also 1947), the air of fatalism hanging heavy throughout, a sort of other wordly vibe that hooks you in and holds you there yearning for the resolution of the tale. The setting is most interesting, that of a small Mexican town during its annual Fiesta celebrations. Yet as the locals indulge in frivolity and joy, Gagin (and us the viewers) are thrust into a shadowy claustrophobic world. The principal characters are suspiciously drawn, not so much Gagin - who is tough and downbeat and has a clear goal to aim for - but those who line up to hopefully aid him in some way. For the first half of the pic the makers keep the cards close to their chest, it's a nice move that ensures rewards await as the story shifts into a higher gear. Psychologically the piece is strong, led by Gagin who was already feeling alienated after the war effort, but now also finds himself in an environment doubly alien to him, an interesting juxtaposition cunning in its placement for character development. Many noir staples shine bright, the main villain with a handicap, potential femme fatale, the macguffin, carnival imagery (the key carousel - gigantic scary looking effigy) and on it goes. The look is terrific as Metty (Ivy/Crashout/Touch of Evil) and Montgomery bring much shadow play, the dalliances of slatted shadows and wooden beam crossbars further emphasising the imprisonment of Gagin at this life juncture. Montgomery proves a deft hand at directing a potent scene, here his piece de resistance is a violent assault shot through the carousel while it is in motion, it's the high point of technical noir work in a film that has a lot of such. Very well performed in amongst the moral ambiguity, Ride the Pink Horse is very much recommended to those interested in film noir. As a character piece with visual treats, and as a fascinating psychological study, this one score high. 8/10
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.
Jinsa Maeng's daughter is contracted to marry a nobleman's son, however, Jinsa Maeng is upset when he hears about a rumor that the fiance of his daughter is lame. Finally, he decides to take on the idea of arranging his maid to take his daughter's place in the wedding.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.