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Never be the innocent bystander, that's the guy that always gets hurt. Angel Face is directed by Otto Preminger and adapted to screenplay by Ben Hecht, Oscar Millard and Frank S. Nugent from a story written by Chester Erskine. It stars Robert Mitchum, Jean Simmons, Mona Freeman and Herbert Marshall. Music is scored by Dimitri Tiomkin and cinematography is by Harry Stradling. The Tremayne residence, home to beguiling beauty Diane Tremayne (Simmons). When ambulance driver Frank Jessup (Mitchum) meets her for the first time, little did he know that he would soon be engulfed in a world of sexual desires and possible murder. Well if it ain't the dead body jockey. In film noir circles it's certainly well known enough, and it can count a number of big names in the movie world as its supporters, yet Angel Face still appears to be something of a forgotten treasure. It's a wickedly dark Freudian picture that pulses with impending doom, luring the viewer into its web that's been threaded together by deceit, seduction, greed and madness. The viewer is never quite sure what will out as the Diane/Frank relationship starts to form, we have a good idea that Frank is in it up to his neck, and you sense he knows it as well, but the twists and turns in the narrative keep things suspenseful; right up to the bold and black hearted finale. The themes at work in the story are beautifully aided by two compelling central performances from Mitchum (Out of the Past) and Simmons (Elmer Gantry), the former is very restrained, muscular and on iconic cigarette smoking form, the latter is suspiciously sexy, angelic yet dangerous and exuding a poker face charm. In support Mona Freeman (The Heiress) makes good out of a too small a role as the polar opposite "other" girl. Herself gorgeous, Freeman has "safe and homely" down pat, but is that enough for our rugged Frankie Jessup? Preminger (Laura/Whirlpool) directs with professional assuredness whilst getting in tight to the actors with his camera. Stradling's (Suspicion/A Streetcar Named Desire) black and white photography is effective in capturing the Beverly Hills locale, however, it's rarely in sync with the murky themes unfolding in the plot. Too often it's too bright, too expansive, the minimal amount of shadow play is sorely felt, particularly when the action switches to the foreboding setting of the Tremayne cliff top house. It's an itch that is inflamed still further by Tiomkin's in tune score, full of melodramatic swirls and supernatural down beats, it's a score very at one with the characters and begs for some shady photography. Still, that's me being greedy and wanting chiaroscuro in full effect, Stradling was a fine photographer and surely acted on Preminger's requests for this particular movie. Angel Face, a moody gem of a story that's punctured by moments of violence, and featuring a cast and director on song. 8/10
A young man wants to be a female impersonator, but gets mocked in his very first performance by a fierce older woman. He finds out where she lives and goes to her house expecting an apology. Instead, she locks him in her shed and rapes him. It makes him fall for her. But soon her even darker side reveals itself when she believes he is attracted to her more beautiful visiting cousin.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
Coffee And Cigarettes is a collection of eleven films from cult director Jim Jarmusch. Each film hosts star studded cast of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.