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Roger Corman offered to produce (without credit) whatever film first time director Peter Bogdanovich wanted to make under two conditions: He had to cast Boris Karloff, who owed Corman two days work; and to keep the cost down, he had to pad the running time with footage from an earlier Karloff film. The result was TARGETS (1968), which proved to be too topical for many theaters to touch when it initially appeared. That's a shame, because it provided Karloff with an A-level role as the sun set on his life and career. Bogdanovich tells parallel stories which converge at the finale: One involves a young man who turns to bloodshed when he feels that he has nothing ahead of him; the other revolves around an aged film star who believes that everything is behind him. Timely when released because of the social climate; timely now because of the politically charged debate over gun control; and ultimately - thanks to the presence of the great Karloff - timeless.
**_As relevant today as it was when it was made_** An aged horror icon (Boris Karloff) wants to retire because he’s weary of the biz and thinks modern life has become more horrifying than his old-fashioned movies. But a director/writer (Peter Bogdanovich) encourages him to read an atypical script or, at least, attend a promotional appearance at a drive-in, which is showing his latest movie, “The Terror.” Unfortunately, a young ordinary man (Tim O'Kelly) has snapped and is on a killing spree with the drive-in being his final shooting range. “Targets” (1968) is a minor cult masterpiece, a self-conscious postmodernist piece inspired by the “Texas Tower Sniper” from August 1, 1966, who killed 14 people and wounded 31 others at the University of Texas at Austin. Bobby (O'Kelly) is patterned after the lunatic murderer with the setting simply switched to the San Fernando Valley in SoCal. I took the flick as a bleak commentary on the way it simply is in America rather than a criticism of the 2nd Amendment. After all, outlawing alcohol during Prohibition didn’t stop people from selling & purchasing booze and neither have drug laws in the modern day stopped people from selling & buying illegal drugs. Evil doesn’t exist in a gun, knife, club or rock, but in the hearts of people bent on taking innocent lives for their own evil purposes. Plus, as clichéd as it may sound, the quickest way to stop an evil person with a gun is by a good person with a gun (certainly not an elderly man with a cane). A good recent example is the case in Charleston, West Virginia, on May 25, 2022, where a brave woman shot an active shooter dead before he was able to murder anyone gathered at an apartment complex. Dissolving the 2nd Amendment would only prevent law-abiding citizens from buying/owning firearms; it wouldn’t prevent wackos intent on bloodshed from purchasing firearms on the black market. To support this, Bobby panics at the climax precisely because some male viewers at the drive-in have grabbed their legal guns to take care of the sniper. Keep in mind that producer Roger Corman sold the movie to Paramount rather than release it through AIP. After the assassinations of Martin Luther King Jr. and Bobby Kennedy the studio released only six prints and prefaced the flick with a statement advocating gun control. Director Bogdanovich had zero to do with this. “Targets” works as an interesting psychological study: What is it that causes Bobby to ‘snap’ and ruin his life by going on a crazed killing spree? His respectable-yet-intimidating father has properly trained him on firearm safety, but he has also inadvertently made his son a frustrated weakling — a bomb just waiting to go off. The disease of legalism is all over his parent’s household, where the young couple resides. Look at the clues. This was one of Karloff’s last movies. He passed away 5.5 months after its release at the age of 81. Thankfully, he plays an interesting protagonist, a hero even, rather than some cheesy boogeyman for the millionth time. Plus I enjoyed the levity provided by his character and Bogdanovich’s, which counterbalances the stark, depressing vacancy of the rest of the story. Really, the flick is about the thin line between reality and art, the relationship between real-life and films. For instance, the killer loading his rifle is paralleled with the projectionist loading his projector at the drive-in. Also, the slayer confuses the old man intently moving toward him with the actor’s character on the big screen. It’s equally about the decline of morals and banalization of life in the modern day, particularly America and Western Culture, where we’ve lost our spiritual compass and sense of purpose. Lastly, the easy access to firearms can culminate in deadly expression of pent-up frustration and anger, which is just below the surface in some otherwise perfectly normal people. Again, the most effective way to stop ’em with the least amount of bloodshed is a good person with a gun, who’s on the scene. ’Nuff said. The film runs 1 hour, 29 minutes, and was shot in Los Angeles, including Van Nuys, Hollywood, West Hollywood and Reseda. GRADE: B
Clean-cut Jeffrey Beaumont realizes his hometown is not so normal when he discovers a human ear in a field, the investigation soon catapulting him toward a disturbed nightclub singer and a drug-addicted sadist.
The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo - his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.