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The only man who isn't afraid of dying is dead already. The Killers is directed by Don Siegel and adapted to screenplay by Gene L. Coon from the short story written by Ernest Hemmingway. It stars Lee Marvin, Angie Dickinson, Clu Gulager, John Cassavetes, Ronald Reagan and Claude Akins. Music is by John Williams and cinematography by Richard L. Rawlings. Hit men Charlie (Marvin) and Lee (Gulager) enter a school for the blind and gun down motor mechanic teacher Johnny North (Cassavetes). He doesn't resist. Why? This question bothers Charlie and he sets about finding out... It's difficult when reading the name The Killers to not think of the 1946 film made by Robert Siodmak, a film that is revered as one of the quintessential movies of film noir. But Don Siegel's film, a re-jigging of the plot, is well worthy of consideration as quintessential neo-noir. Originally slated to be the first made for TV movie as part of a new era for movies on television, the film was pulled by NBC for being too violent. With the film also featuring a murder by sniper scene, the recent assassination of John F. Kennedy by sniper ensured The Killers was temporarily on unsafe ground. With Ronald Reagan making his last appearance on film before moving into politics, unusually playing a villain no less, the 64 version of The Killers has a bit of history. It's a film about double-crossing, murder and fateful yearnings, featuring amoral characters in a wonderfully constructed story that is told in flashbacks! Photographed in bright, almost garish, colours, it's very much the polar opposite to Siodmak's version, well visually at least, but it is very effective and striking, almost enhancing the lurid nature of Coon's screenplay. It's an aggressive film where the violence packs a punch, and the ending has a considerable black heart. The cast are mostly effective. Marvin and Gulager's hit-man pairing are deliberately off kilter in terms of personality, and it's these two that propel the movie forward (well backwards really). Cassavetes makes interesting work as live wire dupe Johnny, Akins does good as a pal watching on helplessly as Johnny loses his life footings and Dickinson sizzles as she fatalises the femme. Weak link is Reagan, who looks ill at ease playing a tough villain type. It's no surprise to learn later on down the line that he wasn't very fond of the role. Good quality neo-noir crafted by a man who knew how to do the real deal back in the day. 7.5/10
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
Carlos a young man who lives in the suburbs of the big city has ambitions and wants to change his life. Influenced by friends of doubtful moral character, habituated to frequent harmful environments. Little by little, he begins to see himself doomed to crime and one day he abandons his girlfriend, María, for Isabel, an attractive and intelligent woman who plays with him and takes him wherever he wants. When Carlos, once he has committed a robbery, realizes the nature of Isabel and his friends, and that he will never be happy in that environment, he tries to go back, but the violence of the facts will lead him to a bloodthirsty outcome.
Hong Kong. When Cao Nan and his group of thieves rob an armored car in broad daylight, they don't hesitate to murder innocent people on the run. Lui Ming Chit, a veteran police inspector, is forced to use sinister tactics to catch them.
After his sister’s dreams are shattered, an angry youngster takes on fraudsters who have commercialised the education sector for their selfish needs.
In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the line by blackmailing Members of Parliament.
Unable to pay his bookie, a man returns to his hometown where his embezzler brother and girlfriend plot a robbery that ends in tragedy.
Thief Duke Anderson—just released from ten years in jail—takes up with his old girlfriend in her posh apartment block, and makes plans to rob the entire building. What he doesn't know is that his every move is being recorded on audio and video, although he is not the subject of any surveillance.