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Angered at stern Uncle Daniel, Toby Tyler runs away from his foster home to join the circus, where he soon befriends Mr. Stubbs, the frisky chimpanzee. However, the circus isn't all fun and games when the evil candy vendor, Harry Tupper, convinces Toby that his Aunt Olive and Uncle Daniel don't love him or want him back. Toby resigns himself to circus life, but when he finally realizes that Tupper lied to him, and that his aunt and uncle truly love him, Toby happily returns home once again.
In post-apocalyptic Yokohama, a hard-boiled cop and a mellowed out drifter hook up with a gang of rebels. When the gang kidnap the cop's son, the wheels are set in motion for an inevitable showdown.
A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.
Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.
In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
Thomas is bubbling with excitement as he delivers special cargo to the picnic extravaganza! His friend Percy joins in on the fun for a game of Hide and Seek and Emily goes full steam ahead to cheer on the Sodor soccer team! Join Thomas and your favorite engine friends as they explore the sights and delights of Sodor in these exciting episodes. Features the episodes: Pop Goes Thomas, Jitters and Japes, Thomas' Crazy Day and Pingy Pongy Pick Up.
Lotte and Louise meet at a summer camp. Everyone who sees the two falls open in surprise, the girls look so much alike. It doesn't take long before they find out that they are actually twins.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Bloom discovers she is a fairy. She gets the chance to attend Alfea College with her new BFFs: Stella (Fairy of the Shining Sun), Flora (Fairy of Nature), Tecna (Fairy of Technology), and Musa (Fairy of Music).
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.