Reality Bites A Hannah Swensen Mystery 2025 - Movies (Feb 7th)
Black Diamond 2025 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Flight Risk 2025 - Movies (Feb 7th)
Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
Death Without Mercy 2024 - Movies (Feb 6th)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Love Hurts 2025 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
8 Out of 10 Cats Does Countdown - (Feb 7th)
Death in Paradise - (Feb 7th)
Katy Tur Reports - (Feb 7th)
The Repair Shop - (Feb 7th)
Richard Osmans House of Games - (Feb 7th)
Chris Jansing Reports - (Feb 7th)
The Good Ship Murder - (Feb 7th)
Deal or No Deal - (Feb 7th)
Would I Lie to You - (Feb 7th)
Andrea Mitchell Reports Reports - (Feb 7th)
Piers Morgan Uncensored - (Feb 7th)
Live from the Other Side with Tyler Henry - (Feb 7th)
The Repair Shop on the Road - (Feb 7th)
Perfect Match - (Feb 7th)
Wizards Beyond Waverly Place - (Feb 7th)
Americas Newsroom - (Feb 7th)
Jesse Watters Primetime - (Feb 7th)
Gutfeld - (Feb 7th)
Special Report with Bret Baier - (Feb 7th)
Outnumbered - (Feb 7th)
Essentially two separate stories, this shows well the aspirational brilliance of Cecil B. De Mille as well as his complete inability to condense anything! The first part depicts the Exodus and Leviticus books from the Old Testament - the story of Moses leading the slaves from their somewhat brutal existence in Egypt and the passing down of the Ten Commandments to the people as they build the great Tabernacle. The second part modernises the application of the Commandments and applies them to a family in 1920's America with two brothers who vie for the affections of the same girl whilst one seeks fame and fortune, the other a more contented existence. Both stories exhort the import of the Commandments as the basic tenets of human decency and values - and shy not from visiting severe punishments on those who transgress. The former story includes a wonderful score and, for the time, some pretty impressive special effects - especially the parting of the Red Sea. The second story is less impressive - more a slightly over-moralistic tale of greed and avarice that was hardly unusual then (or is now). The budget - some $1.8m was enormous for the time and the scale of the cinematography, extras etc. in phase one is impressive and convincing; the acting comes into it's own a bit more in the second act - with Richard Dix and Rod La Rocque playing the brothers well, and Nita Naldi shining as the Eurasian temptress "Sally Lung". As with so many silent films, it's all in their faces - and this one doesn't disappoint - even if there is a little too much theatrical gesturing and posturing now and again. On balance I probably prefer the 1956 iteration, again by De Mille, but there is little in it and if you do get a spare 2¼ hours then this is certainly a superb example of grand cinema from a visionary director.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.