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So I started the evening at Sadler's Wells watching Sir Matthew Bourne's adaptation of "Edward Scissorhands" and my friend decided to reciprocate my hospitality by taking me to a (very) late night screening of this - which is apparently John Waters' pick of Christmas films. Well, talk about sublime to ridiculous. It's all about the psychologically scarred "Harry" who has never been able to get grips with there not actually being a "Santa". Sorry, if I've just let the cat out of the sack for you. Anyway, as an adult he (Brandon Maggart) has become a toy maker of some skill and distinction but the thing is, the sprogs for whom he makes these toys are becoming less and less appreciative. The tension mounts, he snaps - and soon nobody is safe from his vengeful - sometimes pretty suitable - wrath. Now, yes - I thought it was dreadful, but it does have a rather sound message to it. The throwaway culture is in it's sights, but so is the sense that Christmas can be a lonely time for people; that many take all the celebrations for granted and that, frankly, it's got very little nowadays to do with frankincense and myrrh (gold, well...). It's one of those films that knowing a lot about it and Maggart beforehand might improve it's standing, but I went in cold and I came out bemused, just a bit bored and wondering if it wasn't just as guilty of capitalising on Christmas cynicism as much of it's plot?
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
David, an orderly at a hospital, tells his horrific story of being kidnapped and forced to play a vile game of survival.
A biologist, obsessed with the idea of writing a treatise on a new kind of mouse, becomes witness to a number of bizarre and horrific events, from his son's suicide, to the S&M engaged in by respectable middle-aged men, to his own family's psychic morbidity.
Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
A charming but ruthless criminal holds the family of a bank manager hostage as part of a cold-blooded plan to steal £90,000.
"Botoks" is intended to be a record of the authentic history of strong, determined and expressive physicians who struggle with life's decisions and problems: discrimination, maternity pressures, the pursuit of youth, the fight for the right to free choice and own views.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers before each segment.
At a high school senior prom, a masked killer stalks four teenagers who were responsible for the accidental death of a classmate six years prior.