The Apprentice 2024 - Movies (Oct 13th)
We Live in Time 2024 - Movies (Oct 13th)
Underdog The Andy Swallow Story 2024 - Movies (Oct 13th)
The Exorcism of Saint Patrick 2024 - Movies (Oct 13th)
The Secret Art of Human Flight 2023 - Movies (Oct 13th)
Black Daruma 2023 - Movies (Oct 13th)
My Summer With Irène 2024 - Movies (Oct 13th)
Death After Dusk 2024 - Movies (Oct 13th)
Godzilla x Kong The New Empire 2024 - Movies (Oct 13th)
Wild Water 2023 - Movies (Oct 12th)
The Substance 2024 - Movies (Oct 12th)
Twas the Text Before Christmas 2023 - Movies (Oct 12th)
One Perfect Match 2023 - Movies (Oct 12th)
Take Cover 2024 - Movies (Oct 12th)
Dominique 2024 - Movies (Oct 12th)
Death Streamer 2024 - Movies (Oct 12th)
The Royal Bake Off 2023 - Movies (Oct 12th)
Twisters 2024 - Movies (Oct 11th)
Cold Meat 2023 - Movies (Oct 11th)
Brothers 2024 - Movies (Oct 11th)
Tide 2024 - Movies (Oct 11th)
The Amazing Race Australia - (Oct 13th)
Saturday Kitchen Live - (Oct 13th)
Saturday Kitchen Best Bites - (Oct 13th)
The Block - (Oct 13th)
Harlem Globetrotters- Play It Forward - (Oct 13th)
Earth Odyssey with Dylan Dreyer - (Oct 13th)
The Kelly Clarkson Show - (Oct 13th)
Tom Kerridge- Secrets of the Pub Kitchen - (Oct 13th)
The Late Late Show - (Oct 13th)
Krempoli - A Place For Wild Children - (Oct 13th)
Our Tiny Islands - (Oct 13th)
Nevens Coastal Food Trails - (Oct 13th)
Killer Relationship with Faith Jenkins - (Oct 13th)
The Real Murders of Atlanta - (Oct 13th)
The Only Way Is Essex - (Oct 13th)
Borderline - (Oct 13th)
Great Irish Interiors - (Oct 13th)
Doom at Your Service - (Oct 13th)
The Walking Dead- Daryl Dixon - (Oct 13th)
On Patrol- Live - (Oct 13th)
Uttama Villain is one of those films with a meta narrative where the line between the reel and the real becomes hard to distinguish. It stars Kamal Haasan as a superstar, Manoranjan, who goes back to his mentor Margadarisi (played by K Balachander, the real-life Margadarisi, who shaped Kamal's career) and asks him to direct him one last time after he learns that he has only a few days to live. This ticks off his father-in-law Poorna Chandra Rao, the producer who turned him into a superstar, and his wife Varalakshmi, who move out of the house with his son, not realizing the real reason behind his move. Manoranjan also learns that he has a grown-up daughter from Yamini, the love of his life, who he had to leave to marry Varalakshmi. Meanwhile, in the film within the film, a period comedy titled Uttama Villain, Manoranjan plays Uttaman, a man (who is also an actor — a Theeyam artist) who is mistaken to be immortal, and a devious king, Mutharasan, believing the rumour, wants him to reveal the secret behind his immortality. But with time running out for Manoranjan, can he become immortal on screen? Uttama Villain is first and foremost a glorious showcase for Kamal the writer. The script superbly blends subtlety with slapstick and the emotional moments never descend into full-blown melodrama. There are times when we get the feeling that Kamal is dipping into his own movie star life — the opening song Loveaa Loveaa seems to be his admission of acting in roles not suited to his age, pairing up with heroines half his age; when he seeks out Margadarisi, the director tells him he cannot make a story of the star that he is now; when he is consoling his son after revealing to him the illness, it is marred by fans who invade this deeply private moment. Such acute observations add texture to the scenes and make the characters more alive for us. The Uttaman portions are quite a contrast and serve chiefly function as a means to give a break to the heavily dramatic nature of the scenes involving Manoranjan. While the terrific score by Ghibran complements and enhances the drama, visually, the film lacks the dazzle of the writing (the Uttaman segment is mounted like a skit, with tacky visual effects) and the performances of Andrea and Pooja Kumar are strictly OK; if you wish the former had been more expressive, the later does the opposite. Among the huge list of supporting characters, it is only MS Bhaskar, who gives an affecting performance as Manoranjan's manager Chokku, and K Balachander, whose recent demise gives this story an additional emotional heft, are the only stand-outs. The slapstick portions involving Uttaman should have been crisper and given that by know we are familiar with Kamal's tics, his performance as Uttaman doesn't hold any surprise. But the actor more than makes up for it with Manoranjan; he doesn't strain to make the role more empathetic and it is a remarkably restrained, heart-tugging performance from an actor who, at times, has a tendency to overplay his roles. We come to care so much for this character that by the time the film ends, we realize our eyes have become misty.
The musically highly gifted maid Elsie, who longs for a career as a musician, is forced into marriage with Jacob, a young stable boy who dreams of owning his own horse. Both have to learn that they can only escape their lack of opportunities if they team up.
After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.
Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.
Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.
City girl Emma marries the farmer Nicklas but gets involved in a love triangle with his brother Ragnar.
A decades-spanning tale of love and resilience and of one woman's journey to independence. Celie faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood.
Failed actress Alex Sternbergen wakes up hungover one morning in an apartment she does not recognize, unable to remember the previous evening - and with a dead body in bed next to her. As she tries to piece together the events of the night, Alex cannot totally rely on friends or her estranged husband, Joaquin, for assistance. Only a single ally, loner ex-policeman Turner Kendall, can help her escape her predicament and find the true killer.
Five people embark on a motorhome road trip through Europe to fulfill an elderly man's last wish. "Day by Day" is a life-affirming comedy with a lot of humor and some seriousness. Friendships develop, love arises and life-changing decisions are made, a story that it is never too late to rethink in life.
A teenage girl tries to continue her normal social and school life, after her grandfather forces her into an arranged marriage with a man in his twenties.
Secret Men's Business explores the relationships and issues of 4 school-friends reunited after the death of a beloved school teacher. During a weekend of sun, surf, girls, wives and late night reminiscing, the friends begin to deal with certain truths which have been ignored for some time. As relationships and issues are explored, the friends face their own personal challenges amidst a contempt bourne out of familiarity.
The year is 1995. It knocks on the door of 'Greedy Arne' Nyman's dilapidated house. It is Death who has come to take him. Greedy Arne is not worried of Death, he is more afraid of door-to-door sellers, but first he has something vital to deal with. It will be the beginning of a walk with Death by his side, which continues in an old rusty Volvo 240.