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Rob Beckett’s Smart TV - (Mar 28th)
Gutfeld! - (Mar 28th)
The Ingraham Angle - (Mar 28th)
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MSNBC Reports Andrea Mitchell Reports - (Mar 28th)
Dimension 20 - (Mar 28th)
Resident Alien - (Mar 28th)
Allegiance - (Mar 28th)
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The Kelly Clarkson Show - (Mar 28th)
The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
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Gogglebox Australia - (Mar 28th)
Tipping Point Australia - (Mar 28th)
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_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
By this point in his career, there's not much mystery left to Zombie. From his days of White Zombie to his latest musical outpourings and films, he's made his desire to have fun and his love for the grittier horror of the past well known. Zombie fans know this. We go into each new project knowing there's little chance of being surprised but hoping that it's going to be a hell of a ride of full of homages.
31 is no exception. The film opens with a scratchy, shaky cam and proceeds to introduce us to a lot of the same cast we've seen before playing the same trashy and foul-mouthed character types we've seen before. The acting is intentionally full of cheese and the setting is once again his favourite decade. If you didn't enjoy House of 1000 Corpses, The Devil's Rejects, or The Lords of Salem, there's little chance that 31 will be your cup of tea.
On one hand, I'm not disappointed. 31 is pretty much exactly what I expected it to be. On the other hand, it's clear that Zombie is capable of doing something more unique and at this point it really feels like it's time for him to -- for at least one film -- take his horror a different direction. Sure, I'm tired of the boring cleancut CGI films of the mainstream, but if anyone can make one of these that is truly gorey and scary, Zombie's the guy. I'm not saying he should stop doing what's fun for him, but some variety would be nice.
Quick notes:
- Richard Brake (Doom-Head) was perfection.
- Malcolm McDowell was underused.
- Sherri Moon Zombie wasn't the best casting choice for Charly, though I'd love to have her kicking ass here in a different capacity.
- Zombie really should make a full release of Werewolf Women of the SS.
Alex Whitaker and three other gifted psychics investigate rumors that the secret of life has been discovered by master puppeteer, Andre Toulon, in the form of five killer puppets uniquely qualified for murder and mayhem.
After hearing that mystical toymaker Andre Toulon has managed to create a troupe of sentient, living puppets, Nazi underling Dr. Hess sets his sights on exploiting Toulon's powers for the glory of the Reich.
A family moves into a haunted villa where all kinds of supernatural events start to occur.
In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
Scare Zone is Oliver's pride and joy. Sure, it's just another strip-mall Halloween Horror House, but as always, he's put his heart and soul into it. The attraction is open for three nights only, and Oliver has brought back his old staff, including ex-con Spider, eager bride-to-be Summer, and the enigmatic Goth princess Claire. A bunch of newbies are also on board, including earnest young Darryl, who immediately finds himself bewitched by the creepy Claire. The dysfunctional 'scream team' learns to work together while someone or some-thing is out to make the horror REAL.
Ten years after he was last seen, a vicious mob enforcer returns home to find his son and methodically track down the gang that double-crossed him. His quest for revenge soon leads to a savage showdown between his wife and her mob boss father.
On Halloween day, the Sun gives a scarecrow girl one night freedom until Sunrise. Transforming herself into human being, she gets mixed up with crowds of a Halloween matchmaking party in the big city, Tokyo. Coming from rice paddies and feeling isolated from the real human beings, the scarecrow falls in love with a real zombie. They are only real monsters among all, so the scarecrow thinks he is 'different' from others. The zombie has strong sense of justice, and he only eats bad people's bad brains for the world peace. The scarecrow starts to follow the zombie's bad brain hunting. Even though the outsiders nurture love, the time limit approaches to end their happy journey.
Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.