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Though I had only seen Steven Soderbergh's remake, made shortly after Frank Sinatra died, in the interim I had achieved quite an appreciation of Sinatra's work, first as a game-changing jazz vocalist and, more recently, as an actor. I picked up the 4-pack of both Milestone's original and Soderbergh's trilogy, and, having both dedicated myself to some of Milestone's films and Sinatra's appearances, decided to give the Rat Pack's version a spin. The coolness and fun of the actors rubs off nicely on the proceedings, and it's extremely enjoyable to breathe in. Both Angie Dickinson and Shirley MacLaine are great fun too, as are the Vegas mainstays that make cameos. The extras on my DVD, especially Dickinson and Sinatra talking about making the film, years later when he guest-hosted The Tonight Show, were also splendid and mad my enjoyment even more profound. I highly recommend it to anyone who thinks the remake is great. As fine as a filmmaker as Soderbergh is, it pales in comparison, because as fine as today's stars are, they just aren't The Rat Pack! Also, the ending is one of the greatest. I have always felt that comedy is the hardest genre to do, and it dates so badly, but this holds up quite nicely...
Whatever this movie is supposed to have in terms of charm, I missed it. We know what it's about. Ex GIs break into some Vegas businesses for a big heist. However, it is poorly communicated, and it was poorly communicated in the sixties when this was made. Perhaps it made some sense to people as far back as 1960, but I don't get it. Sinatra and the others are supposed to be "cool", but all they do is act like they have superiority complexes, and everyone else buys into it. This is usual for all the brat pack movies then and the brat pack movies today. It was actually worse with the old Ocean's Eleven. I was thoroughly bored with every scene, and didn't care one white about Sinatra and his group. Maybe Peter Lawford was okay, because he seemed bored by the whole "superiority" thing, too. And maybe Sammy Davis Jr. No one else. There were other heist movies. "Five Against the House" was the top one, and although I wasn't overly fond of it, that one still gets three times the rating I give this. Big deal. A 6/10 instead of 2/10. Maybe some of you will find some charm in this, but I didn't.
Special Insurance-Investigator Dan Kennedy and his wonder dog, Tarzan the Police Dog, are called in to investigate the persistent robbing of a shipping-and-storage warehouse in Los Angeles.
Less than 24 hours into his parole, charismatic thief Danny Ocean is already rolling out his next plan: In one night, Danny's hand-picked crew of specialists will attempt to steal more than $150 million from three Las Vegas casinos. But to score the cash, Danny risks his chances of reconciling with ex-wife, Tess.
Danny Ocean reunites with his old flame and the rest of his merry band of thieves in carrying out three huge heists in Rome, Paris and Amsterdam – but a Europol agent is hot on their heels.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
Arvid is an ordinary bank clerk who lives a rather unassuming life with his dear girlfriend. But his life is turned completely upside down when he bravely manages to avert a robbery against the bank where he works.