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The Last American Vagabond - (Dec 2nd)
Moving Houses NZ - (Dec 2nd)
The Real Housewives of Potomac - (Dec 2nd)
Married to Medicine - (Dec 2nd)
60 Minutes - (Dec 2nd)
90 Day Pillow Talk Before the 90 Days - (Dec 2nd)
Somebody Somewhere - (Dec 2nd)
Tracker - (Dec 2nd)
The Sunday Show with Jonathan Capehart - (Dec 2nd)
Before They Kill Again - (Dec 2nd)
Sister Wives - (Dec 2nd)
Alien Files- Reopened - (Dec 2nd)
Yellowstone Wardens - (Dec 2nd)
Holiday Wars - (Dec 2nd)
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Mark McKinney Needs a Hobby - (Dec 2nd)
Yellowstone - (Dec 2nd)
Homestead Rescue - (Dec 2nd)
90 Day Fiance- Before the 90 Days - (Dec 2nd)
Dune- Prophecy - (Dec 2nd)
Cathy, Cathy, come in, Cathy come back to me. Wuthering Heights is directed by William Wyler and adapted to screenplay by Charles MacArthur & Ben Hecht from the novel of the same name written by Emily Bronte. It stars Merle Oberon, Laurence Olivier, David Niven, Geraldine Fitzgerald and Flora Robson. Music is scored by Alfred Newman and cinematography is by Gregg Toland. OK, so it's only a part of Bronte's classic novel, and yes some liberties have been taken, but Wuthering Heights is still a wonderfully involving picture. Expertly played by the actors and directed with adroitness, it's a haunting tale of tragedy, love and passions never to be sated. Moodily photographed by Toland, who won the Academy Award for Best Cinematography in the process, tale unfolds in flashback style that's aided by retrospect narration from Robson's wily house keeper Ellen Dean. Characters are perfectly formed as children, expanded upon into adulthood; with Olivier and Oberon coming into their own on the acting front, then the story reaches its denouement to leave the viewer flushed with emotion. All given dramatic impetus by Alfred Newman's sweeping score. 1939 was a stellar year for classic cinema, Wuthering Heights is deservedly a part of that upper echelon number. Brilliant. 9/10
I venture to suggest that this wonderfully evocative adaptation of Emily Brontë's classic story will never be surpassed. The novel is essentially a tale of lost love and the trio of Merle Oberon ("Cathy"), Laurence Olivier ("Heathcliffe") and David Niven ("Edgar") manage to encapsulate all the emotions of sadness, of bitterness and of despair superbly. "Heathcliffe" is the abandoned boy brought to the home of the wealthy "Earnshaw" family by Cecil Kellaway where he gradually falls in love with daughter "Cathy". When the old man dies, his son "Hindley" (Hugh Williams) inherits, treating "Heathcliffe" as little better than a servant before he eventually drives him away. When he returns wealthy, many years later, he discovers "Cathy" now married to the debonair, if rather dull, Niven. What happens now is the stuff of English literature at it's most enigmatically dramatic. Whilst the screenplay does skim over much of the detailed characterisations, and some of the sub-plot from the book, it nonetheless captures the spirit of the story in both an atmospheric and charismatic fashion - with Flora Robson at her melancholic best as the recounter of our tale. Oberon and Olivier are excellent at conveying the sense of distress and longing and the cinematography of the bleak, but liberating, Yorkshire Moors all contribute to an engrossing, really rather sad story.
The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.
Gilbert Grape is a small-town young man with a lot of responsibility. Chief among his concerns are his mother, who is so overweight that she can't leave the house, and his mentally impaired younger brother, Arnie, who has a knack for finding trouble. Settled into a job at a grocery store and an ongoing affair with local woman Betty Carver, Gilbert finally has his life shaken up by the free-spirited Becky.
A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
Jimmy Muir comes from a typical gritty, northern town where there are only two options: working down the pit or in a factory. But Jimmy has other ideas - he dreams of becoming a professional footballer. Confronted by a bitter and unsupportive father, hard drinking friends and a lifetime of bad habits...has Jimmy the will to achieve his ultimate goal?
Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.