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That's a damn fine poster you've got there, _Killing Gunther_. Unfortunately, it's also indicative of _Killing Gunther's_ biggest problem: Leading the promotional material with Arnold Schwarzenegger. I know, from a marketing standpoint, it makes a hundred and five percent sense, totally get it. But purely in terms of the experience you go through from watching a movie, I feel absolutely certain that _Killing Gunther_ would have been exponentially better if Arnie's involvement was kept secret. It seems very much as if the movie was built that way, and then the direction was changed some time after post-production. In the end, _Killing Gunther_ is an okay movie, but it might have been **great** if the Gunther character was a genuine reveal in the film, instead of the "Fuckin' finally" moment we ended up with. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Infuriatingly bad watch, probably won't watch again, and can't recommend. It's like someone wanted "Barry" and "The Office" to be the same thing, but they couldn't get a name big enough except for Arnold Schwarzenegger who looks awesome in this, so why wouldn't he take the pay check. And I like almost everyone in this movie, Arnold included, they're really funny people, and I bet this movie was a blast to make. However, this movie is a fine example of what NOT to do for found footage, and why making a "fake-umentary" is so hard to do correctly. Unfortunately, these comedy actors are mostly sketch artists (SNL) or they work parts on sitcoms, Hannah Simone was the "best friend" on "New Girl", but other than Taran Killam (arguably), they haven't carried a show before, and I don't think they realized that making a movie isn't the same as making episodes. I would love to see all these people back together in a good movie, but the writing in this movie is heavily dependent on weak characters with soft motivations, and a lot, A LOT, of attention seeking humor (basically the movie demands you watch it, "Look at me dad! Dad! YOU'RE NOT LOOKING!"), or situational humor, which takes a LOT of work to either set up or explain. I was really looking forward to this one, which might be why I'm being so critical, because it is a GREAT premise, but they didn't take writing the script seriously because it's a comedy so they loss some of the "oomph" and draw it should have had. And there are few physics breaking things that I wouldn't have cared about so much, but the rest of the movie was grating at me that it didn't care, so I shouldn't care. I'm not mad in the end, I'm just disappointed.
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
Superbly entertaining action comedy with Tomisaburo Wakayama as Kuriyama Capone who learned his trade under Al Capone in Chicago. The film follows his first venture to Japan with gangster brothers Frank (Shingo Yamashiro) and Joe (Fumio Watanabe). And being chased by gangster and the FBI, including the granddaughter of Eliot Ness. The whole thing is a good amount of fun, the performances especially (Wakayama, Yamashiro, Watanabe in a rare heroic role), making this one of routine director Takashi Harada’s best pictures.
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.
An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.
Two assassins get involved in a bloody gang war over the control of the... textile industry.
Bob Biswas, a hitman-for-hire, comes out of a prolonged coma and struggles to recall his identity but suffers a moral dilemma when the memories of his past resurface.