Knowing the Score 2023 - Movies (Mar 24th)
John Wick Chapter 4 2023 - Movies (Mar 24th)
Reggie 2023 - Movies (Mar 24th)
Unseen 2023 - Movies (Mar 23rd)
Batman The Doom That Came to Gotham 2023 - Movies (Mar 23rd)
Lullaby 2022 - Movies (Mar 22nd)
The Son 2022 - Movies (Mar 22nd)
Plane 2023 - Movies (Mar 22nd)
Missing 2023 - Movies (Mar 22nd)
The Cosmos Sisters 2022 - Movies (Mar 22nd)
Motorvation 2022 - Movies (Mar 22nd)
One Year Off 2023 - Movies (Mar 22nd)
Gods Time 2022 - Movies (Mar 22nd)
The Fourth Musketeer 2022 - Movies (Mar 22nd)
Mindcage 2022 - Movies (Mar 21st)
M3GAN 2022 - Movies (Mar 21st)
The System 2022 - Movies (Mar 21st)
Immanence 2022 - Movies (Mar 21st)
Wog Boys Forever 2022 - Movies (Mar 21st)
Gunfight at Rio Bravo 2023 - Movies (Mar 21st)
Kill Her Goats 2023 - Movies (Mar 21st)
Ex on the Beach - (Mar 24th)
Becoming Frida Kahlo - (Mar 24th)
Great British Menu - (Mar 24th)
Good Trouble - (Mar 24th)
Love Island Spain - (Mar 24th)
Swamp People - (Mar 24th)
Swamp People- Serpent Invasion - (Mar 24th)
Law and Order- Special Victims Unit - (Mar 24th)
Law and Order- Organized Crime - (Mar 24th)
Power Book II- Ghost - (Mar 24th)
Party Down - (Mar 24th)
Yellowjackets - (Mar 24th)
Next Level Chef - (Mar 24th)
Jersey Shore- Family Vacation - (Mar 24th)
This Old House - (Mar 24th)
Ask This Old House - (Mar 24th)
Greys Anatomy - (Mar 24th)
Isle of Wight- Jewel of the South - (Mar 24th)
Rise and Fall - (Mar 24th)
Cold Case Detectives - (Mar 24th)
“The penis is evil.” - Zardoz When was the last time your city was torn apart by a towering metal penis? A button-down wage earner and his girlfriend are driving in the city when they hit a man. They then cart him to a field and dump him. Seems the two were having sex while driving, and their hit-&-run arouses them still further until they are having sex at the scene in the full knowledge that their (presumably dying) victim is watching them. The next morning, salaryman finds his cheek has sprouted a shiny metal zit. Soon he'll be having scary encounters with transformed strangers and having sexually charged nightmares of his girlfriend as a demonic hermaphrodite (or at least sporting a bionic strap-on of more than regular size). What's going on here? Shinya Tsukamoto's 1989 professional debut is a retelling and expansion of his homemade short Futsu Saizu no kaijin (“Monster of Regular Size”). It's more of a primal scream of suppressed rage and lust than a movie, really. With no budget to speak of, Tsukamoto has drawn on techniques not too removed from early Sam Raimi and applied them to an inspired vision of urban Hell that could the same neighborhood from Eraserhead, with a heavy dose of Cronenberg's body horror, Tetsuo seems to draw influence from manga and the pioneering days of Mtv (think Talking Heads videos). Tetsuo is filmed in stark black and white 16mm, lending a grain to convey the grit and inhuman decay of Tokyo city, and maniacally edited to the point that it's difficult to follow without several viewings. the images are of a world buried in the debris of society, metal refuse of every sort heaped and heaving like a fungus over civilization, nothing natural in sight but for the human body itself. Tetsuo has a sound design that matches its frantic and disjointed look. Feverish in pitch and tone, what not many mention when talking about the movie is that Tetsuo is also wickedly funny. Tsukamoto infuses it with a sick sense of humor from absurdist to slapstick. So what is really going on? That's up for interpretation. Some see an anti-homosexual plea at work, others see it as pro-gay (Tsukamoto, a humanist with an empathetic bent, is far from the type to deliver a message of intolerance). The director claims that it grew from his love/hate relationship with the city itself, living removed from nature. The facts of the story are that the man hit by the wage earner has a fetish for metal and a sexual appetite for violence. He had already tried to fuse his body with bits of metal inserted under the meat of his limbs. When he sees the driver's lusty response to having hit and nearly killed him, the fetishist sees a kindred spirit and becomes infatuated with the driver. He begins to harass the man through bizarre psychic methods (we see his POV, memories, and messages to the businessman via televisual imagery), an insane courtship aimed at bringing out the salaryman's latent sexual thirst for destruction. The driver's transformation of psyche manifests in the man's biological body becoming more and more am abstract mass of iron. More than that and you're reading what you want into the film. It's highly suggestive but never explicates itself. Tsukamoto structures his tale around two men and a woman, the same setup he's reused for the bulk of his early screen career with the woman often transformed through her relationships with the men. What I find fascinating in Tetsuo (Is that the name of the fetishist or the salary man? I don't know!) is that the business drone seems to have an ambivalent attitude about sex and possibly women (he flees an encounter with a prim businesswoman in the subway, though admittedly she's pretty damn scary) while the metal fetishist positively identifies with women and female sexuality, choosing to use both the girlfriend and the subway patron as his avatars, and ultimately appearing as an androgynous punk sprite during his final seduction. Testsuo is not my favorite from Shinya Tsukamoto, but it gets better every time I see it. In fact, the first time left me exhilarated by the ferocity of it but lukewarm to its substance. I've now seen it a number of times, and it...grows on me. Tetsuo would make a great double-feature with Cronenberg's Crash.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah.
In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue. Can the pair live to see the new millennium?
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.