Even Hell Has Its Heroes 2023 - Movies (Mar 28th)
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Haunting of the Queen Mary 2023 - Movies (Mar 28th)
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The Book of Clarence 2023 - Movies (Mar 26th)
Molli and Max in the Future 2023 - Movies (Mar 26th)
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Royal Crackers - (Mar 29th)
Summer House - (Mar 29th)
The Nature of Things - (Mar 29th)
Manhunt - (Mar 29th)
The Reluctant Traveler with Eugene Levy - (Mar 29th)
A Gentleman in Moscow - (Mar 29th)
BMF - (Mar 29th)
Next Level Chef - (Mar 29th)
The Good Stuff with Mary Berg - (Mar 29th)
The ReidOut - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Down Home Fab - (Mar 29th)
Alex Wagner Tonight - (Mar 29th)
Bangers and Cash - (Mar 29th)
Gardening Australia - (Mar 29th)
The Bidding Room - (Mar 29th)
The Woodland Workshop - (Mar 29th)
Shop Smart, Save Money - (Mar 29th)
Greys Anatomy - (Mar 29th)
The Hotel Inspector - (Mar 29th)
“The penis is evil.” - Zardoz When was the last time your city was torn apart by a towering metal penis? A button-down wage earner and his girlfriend are driving in the city when they hit a man. They then cart him to a field and dump him. Seems the two were having sex while driving, and their hit-&-run arouses them still further until they are having sex at the scene in the full knowledge that their (presumably dying) victim is watching them. The next morning, salaryman finds his cheek has sprouted a shiny metal zit. Soon he'll be having scary encounters with transformed strangers and having sexually charged nightmares of his girlfriend as a demonic hermaphrodite (or at least sporting a bionic strap-on of more than regular size). What's going on here? Shinya Tsukamoto's 1989 professional debut is a retelling and expansion of his homemade short Futsu Saizu no kaijin (“Monster of Regular Size”). It's more of a primal scream of suppressed rage and lust than a movie, really. With no budget to speak of, Tsukamoto has drawn on techniques not too removed from early Sam Raimi and applied them to an inspired vision of urban Hell that could the same neighborhood from Eraserhead, with a heavy dose of Cronenberg's body horror, Tetsuo seems to draw influence from manga and the pioneering days of Mtv (think Talking Heads videos). Tetsuo is filmed in stark black and white 16mm, lending a grain to convey the grit and inhuman decay of Tokyo city, and maniacally edited to the point that it's difficult to follow without several viewings. the images are of a world buried in the debris of society, metal refuse of every sort heaped and heaving like a fungus over civilization, nothing natural in sight but for the human body itself. Tetsuo has a sound design that matches its frantic and disjointed look. Feverish in pitch and tone, what not many mention when talking about the movie is that Tetsuo is also wickedly funny. Tsukamoto infuses it with a sick sense of humor from absurdist to slapstick. So what is really going on? That's up for interpretation. Some see an anti-homosexual plea at work, others see it as pro-gay (Tsukamoto, a humanist with an empathetic bent, is far from the type to deliver a message of intolerance). The director claims that it grew from his love/hate relationship with the city itself, living removed from nature. The facts of the story are that the man hit by the wage earner has a fetish for metal and a sexual appetite for violence. He had already tried to fuse his body with bits of metal inserted under the meat of his limbs. When he sees the driver's lusty response to having hit and nearly killed him, the fetishist sees a kindred spirit and becomes infatuated with the driver. He begins to harass the man through bizarre psychic methods (we see his POV, memories, and messages to the businessman via televisual imagery), an insane courtship aimed at bringing out the salaryman's latent sexual thirst for destruction. The driver's transformation of psyche manifests in the man's biological body becoming more and more am abstract mass of iron. More than that and you're reading what you want into the film. It's highly suggestive but never explicates itself. Tsukamoto structures his tale around two men and a woman, the same setup he's reused for the bulk of his early screen career with the woman often transformed through her relationships with the men. What I find fascinating in Tetsuo (Is that the name of the fetishist or the salary man? I don't know!) is that the business drone seems to have an ambivalent attitude about sex and possibly women (he flees an encounter with a prim businesswoman in the subway, though admittedly she's pretty damn scary) while the metal fetishist positively identifies with women and female sexuality, choosing to use both the girlfriend and the subway patron as his avatars, and ultimately appearing as an androgynous punk sprite during his final seduction. Testsuo is not my favorite from Shinya Tsukamoto, but it gets better every time I see it. In fact, the first time left me exhilarated by the ferocity of it but lukewarm to its substance. I've now seen it a number of times, and it...grows on me. Tetsuo would make a great double-feature with Cronenberg's Crash.
Just another Japanese-language, surreal, horrifying, chilling, gross, sadistic, industrial sixty seven minute nightmare in glorious black and white. What can I say about the plot? A victim of a hit-and-run accident has his revenge on the couple that ran him over. That sounds like a pitch to an average Hollywood movie, and it has been done, but "Tetsuo: The Iron Man" quickly leaves all safe Hollywood ingredients in its wake. The victim somehow gets the male driver to slowly turn into a raging machine. It starts with a small wire sticking out of his cheek. Soon, he is being chased in a subway terminal by a woman with the mechanical affliction. He escapes her, but still tries to make it with his girlfriend. In the film's most horrific scenes, he grows a giant ugly drill, and the two spend many minutes both trying to kill and love each other. Halfway through, we find out what the victim is trying to do, and the climax involves the two men joining together in more ways than one. Surrealism is so hard to describe- quick, give me the plot of "Un Chien Andalou," but this film is one of the most violent films I have seen. So much can be read into this, from machines taking over our world, to impersonal love relationships, but all in all, director and writer Tsukamoto stuns the viewer with eye imploding visuals. The stop motion special effects work well, and everyone involved seems to be in actual pain in many scenes. The makeup and mechanical costuming are top notch, and the music totally kills- not quite heavy industrial, but not just another rock soundtrack, either. There is not a lot of blood here- there are torrents of it. This is a blood monsoon. The soundtrack has little dialogue, and the sound effects consist of a lot of metal scraping metal, which had me climbing the walls. Watch for the now infamous scene as the unnamed man feeds his girlfriend breakfast. "Tetsuo: The Iron Man" is a hard core sci-fi/horror fan's dream, I'll never curse my car or microwave again.
In a future society in the era of indefinite eugenics, humans are set on a life course depending on their DNA. Young Vincent Freeman is born with a condition that would prevent him from space travel, yet is determined to infiltrate the GATTACA space program.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company who manufacture memories. Something goes wrong during his memory implant turning Doug's life upside down and even to question what is reality and what isn't.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
After a spectacular crash-landing on an uncharted planet, brash astronaut Leo Davidson finds himself trapped in a savage world where talking apes dominate the human race. Desperate to find a way home, Leo must evade the invincible gorilla army led by Ruthless General Thade.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?