He Aint Heavy 2024 - Movies (Jan 3rd)
Fittest on Earth Final Showdown in Madtown 2024 - Movies (Jan 2nd)
The Mountain Within Me 2024 - Movies (Jan 2nd)
Chasing Amazing Winter Waves 2024 - Movies (Jan 2nd)
No Hamburg No Beatles 2024 - Movies (Jan 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Kevin James Doyle Diary of a Bald Kid 2025 - Movies (Jan 1st)
Young Werther 2024 - Movies (Jan 1st)
A Flash of Beauty Paranormal Bigfoot 2024 - Movies (Jan 1st)
Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
Dream Team 2024 - Movies (Jan 1st)
A Different Man 2024 - Movies (Jan 1st)
Dont Die The Man Who Wants to Live Forever 2025 - Movies (Jan 1st)
Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Southern Charm - (Jan 3rd)
The Last Word with Lawrence ODonnell - (Jan 3rd)
Outlander - (Jan 3rd)
Dexter- Original Sin - (Jan 3rd)
The Agency - (Jan 3rd)
Alex Wagner Tonight - (Jan 3rd)
Going Dutch - (Jan 3rd)
The ReidOut with Joy Reid - (Jan 3rd)
All In with Chris Hayes - (Jan 3rd)
Big Fat Quiz - (Jan 3rd)
Building Outside the Lines - (Jan 3rd)
Animal Control - (Jan 3rd)
Bookie - (Jan 3rd)
Silo - (Jan 3rd)
The Sex Lives of College Girls - (Jan 3rd)
Very Important People - (Jan 3rd)
Dirty Laundry - (Jan 3rd)
The Beat with Ari Melber - (Jan 2nd)
The Chase - (Jan 2nd)
Richard Osmans House of Games - (Jan 2nd)
This film is a little like an LP. It has two distinct sides. One "Distant Voices" focuses on just what makes the father of a small family tick. Two - "Still Lives" dwells more on the lives of the children. Unlike on the vinyl though, once we are on that side of the record there are no tracks. The story flits about with a non-consistent chronology to bring us the happy, the sad, the brutal and the gentle and it really does showcase well the acting talents of Pete Postlethwaite as the father. A man of the times, who treats women with scant regard. Not, perhaps, because he is inherently cruel or nasty, but because he knows no better? Even his wife (a strong, if sparing, contribution from Freda Dowie) has to tread on eggshells much of the time. There are three children - "Eileen" (Angela Walsh); "Maisie" (Lorraine Ashbourne) and "Tony" (Dean Williams) and their lives, loves and wartime experiences feature potently in the second stage of this drama that tells us much about the societal influences - and expectations - of families, of men, of soldiers and it's quite thought-provoking. It's about love, too, but not in much of a sentimental manner. Relationships have to have a gritty, pragmatic, aspect to them - and it falls to the youngsters to try and change these entrenchments from varying degrees of success and happiness themselves. There is very little dialogue, here. Most of the narrative relies on the glorious photography and the use of contemporaneous songs from the likes of Ella Fitzgerald, Johnny Mercer and some beautifully performed choral works that prove to be truly effective at setting and maintaining a sense of the struggles and joys of this working-class, sometimes unpromising, existence. It's certainly well worth a watch - a few times, I'd say.
Set in 1952, this musical thriller is what happens when a traveling salesman shows up on the doorstep of a dying old man and can't contain the song within his heart. A dark riff on a classic musical.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Live performance of Beth Hart at the Crossroads Festival. Recorded in Bonn, Germany on March 24th, 2011.
A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.
Inès, a professional photographer, decides to complete a book she is working on before she gives birth to her first child. This photography project, related to the memories of her childhood, always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character. It also contains the only photo Inès still has of her with her father, before he disappeared as a victim of the military dictatorship. This photo is the starting point of a jigsaw puzzle of fragmentary memories about the relationships Inès had with her mother and her brother.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.