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Blood Free - (Apr 24th)
FBI- Most Wanted - (Apr 23rd)
X-Men 97 - (Apr 24th)
Star Wars- The Bad Batch - (Apr 24th)
Grand Cayman- Secrets in Paradise - (Apr 24th)
FBI - (Apr 24th)
The Valley - (Apr 24th)
Vanderpump Rules - (Apr 24th)
Moonshiners- Master Distiller - (Apr 24th)
Under the Bridge - (Apr 24th)
The Big Door Prize - (Apr 24th)
Little People, Big World - (Apr 24th)
Mud Madness - (Apr 24th)
For the Love of Dogs - (Apr 24th)
Accused - (Apr 24th)
Saving Lives at Sea - (Apr 24th)
Michael Palin in Nigeria - (Apr 24th)
Hannity - (Apr 24th)
Gutfeld! - (Apr 24th)
Lopez vs Lopez - (Apr 24th)
I could make the joke about this film's title but I don't want to beat a dead horse. I had wanted to see this film since it was released in cinemas, but not because I thought it would be good, rather because I live for garbage like this. I saw the trailer and saw just filth, just absolute cinema excrement. Well, what did I receive? I received a rather played out the first half with one of the slowest pacings I've seen this year. I'm a fan of films taking their time and carefully detailing everything, but those are films with a sense of purpose. This is not one of those films. It's a Redbox on a bad movie night, or a film your girlfriend wants you to watch with her. Neither situations are true for me, but I'm sure it's happened to someone before. It's a slow first half that just has this lackluster eruption becoming a parody of itself. The last fifteen minutes of this film become a ridiculous set of scenes of 2017. If you're someone who has seen the trailer then you know what is going to happen. It practically lays out its entire structure hoping maybe you'll see it one late night. I saw it and got about what I expected. Rosario Dawson plays as this blogger journalist type who has a beautiful family, the catch is that it was once Katherin Hegel's and she's not over the divorce. She begins to find ways to slowly destroy Dawson's life hoping to win the love of her husband. You see that sound like it could be ok, but the writing and execution of the plot is just so convoluted and unbelievable that it just becomes a parody. I mean it isn't a slow build up at all, we are just shown that Hegel is crazy playing all of its cards in the first fifteen minutes. It's just screaming to you saying "You know what you got yourself into, enjoy the last hour and fifteen minutes,". 3/10
If you have ever even so much as heard of Lifetime existing, then you know every single beat of _Unforgettable_ from beginning to end. What it does, it does quite well (and further proves the point I made about Katherine Heigl finding her place in sociopathy when I wrote my _Home Sweet Hell_ review), but it doesn't have a single new thing on offer. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**UNfortunately-FORGETTABLE film!** Directional debut for a producer. I think she did well. But the film had a major issue. The film was decent with nice performances and production quality. Though it came at a wrong era. Came in too late, at least two decades late. If you had watched a decent number of films in your life, probably you have already seen plenty of similar film. And most of those would have come from the late last century. As what the title says, it was totally opposite of meaning that unfortunately a forgettable film. All the above, they have kept open ending, hinting a sequel could come. I already feel that is a bad idea! Since it was very familiar, easy to predict the scenes and dialogues. Particularly the climax was a let down. I expected something better than usual. The clues, twist, all were ordinary. Though the actors were decent. That does not mean it is worth watching for them. Definitely won't work, unless you are a big fan of anyone of them. Something for sure that it looks like they ran out of the ideas. Why would someone want to make the same old film with a new cast. Why not call it a remake or a reboot! Anyway, don't think it is worth a watch, unless you haven't seen many films in your life or born yesterday. _4/10_
A thriller about a man, Dr Wolcott, who is wrongfully acquitted of charges that he molested his daughter, Dinah. The deputy district attorney, Joey, takes Dinah with her seeking refuge from Dr. Wolcott's molestation.
A troubled man talks to his suicidal sister's psychiatrist about their family history and falls in love with her in the process.
Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.
When spirited young woman, Fanny Price is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns 'their' ways, she also enlightens them with a wit and sparkle all her own.
The young wife of an upper-class academic disappears while her husband is on holiday. In his search for her, the husband learns that there was much he did not know both about her past and about their relationship.
Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release.
Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.
On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?
The daughter of an Englishman and an Andalusian woman, Juanita rejects the historical changes taking place in Tangier.She lives alone in this "Paradise lost", surrounded by her sister Elena; Esther, her close friend who dedicates her entire life to an impossible love affair with a Moroccan; and Hamruch the housemaid, who disappears one day without saying a word. The Spanish Civil War, WWII with the arrival of refugees from Europe, and the Moroccan independence finally returns the city to its Arab origins. Juanita's tragedy lies in not realizing that her world is destined to disappear by the destructive and rejuvenating force of History.
When the beautiful, efficient and successful Christine, 42, arrives at their summer beach home with her husband and teenage daughter, a young hitchhiker catches her eye. What follows is the story of a woman who frees herself, tears her life into pieces and puts it back together in a different order.