Piercing

Practice doesn't always make perfect.

Runtime 82 mins

Thriller Horror Mystery

Vote Rating : 5.8 / 10

In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own.

Cast Members

*NEW* Amazing screensavers for Android TV, Mobile & Tablet Devices. We have a set of beautiful screensavers that will give your boring screen a little bit of the wow factor. Choose from Nature, Entertainment & Sport for Android TV & Mobile and Tablet devices. The 4K Screensavers will produce amazing images to show off your screen upto a 4k resolution. Our very latest Quiz Screensaver has images upto 1080p and is designed to boggle your brain.

GET YOUR FREE SCREENSAVERS HERE

Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc. Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device. We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation. We provide no support for third party add-ons installed on your devices, as they do not belong to us. It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use. Full disclaimer and DMCA information - click here.
Kodiapps app v7.0 - Available for IOS & Android. You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen. Builders are free to use it for their builds too.
You can get all the latest TV Shows & Movies release news direct to your Twitter or Facebook . Never miss your fave TV Shows & Movies again. Send a follower request via the social media link.

Reviews

**_Great style, precious little substance_** > _In most movies like this, these sort of psycho, sexual thrillers, the female character is there to be a damsel in distress, there to be naked or there to be killed in a really brutal way. This movie sets up, here's a guy who wants to kill a prostitute, so you think the movie is getting to deliver all those things, but it so doesn't. The beauty of Mia's character is that she doesn't let herself be any of those tropes, she doesn't let herself be a damsel in distress, get killed, be taken advantage of; she really is the one with all the power and_ _the one that's playing on the mind games._ - Nicholas Pesce; "Nicolas Pesce on His Film Adaptation of Murakami Ryu's _Piercing_" (Eric Ortez Garcia); _Screen Anarchy_ (October 2, 2018) From Nicholas Pesce, the writer and director of _The Eyes of My Mother_ (2016), and based on the 1994 novel by Ryû Murakami (who also wrote the novel upon which Takashi Miike's similarly themed _Ôdishon_ (1999) was based), _Piercing_ is a darkly comic psychosexual thriller. Partly a screwball comedy about a fastidious man's attempt to murder a prostitute, and his confusion and helplessness when he realises that that prostitute is far more disturbed than he is, the film dares the audience to attempt to figure out who is in charge at any given moment, and to ponder whether one (or both) of these characters would actually be quite happy to be the other's victim. Purposely made to look like a sleazy seventies skin flick (the kind you might expect to see being shot on _The Deuce_), the film's sense of nostalgia drips off the screen, manifest in everything from the music borrowed from giallo films to the art-deco production design to the patently fake urban skyline to the lurid opening credits (complete with retro "Feature Presentation" card). In this sense, Pesce is a stylist, in the best sense of the term. However, at the moment, he is a stylist without much to say; as in _The Eyes of My Mother_, he is unable to match his not-inconsiderable aesthetic acumen with any kind of significant or tangible emotionality. The two leads are not necessarily the type of characters we're naturally predisposed to feel empathetic towards, but we surely must be expected to feel **something**. Anything. However, with no real sense of psychological verisimilitude nor much in the way of interiority, they remain essentially blank canvases, and primarily for this reason, the film feels more like a sketch than a finished product. Set in a non-specific city, the barely-there plot concerns Reed (Christopher Abbott), the clean-cut kind of psychopath about whom the neighbours would undoubtedly say, "he was always such a nice quiet young man." Reed has been having some less-than-wholesome thoughts about his new-born baby, and as the film begins, he's standing over the baby's cot, ice-pick in hand, trying to resist the urge to kill the infant. Only when his partner, Mona (Laia Costa), awakens and calls out to him, does Reed regain his faculties. He then explains, in voice-over, his plan to entrap a prostitute in a hotel room, and murder and dismember her, thus purging himself of the desire to kill his own child. Telling Mona he is going on a business trip, Reed checks into a hotel and books a prostitute who is open to S&M (this way he'll be able to tie her up without her becoming suspicious). Planning every aspect of the murder, he rehearses everything from how long the chloroform will leave her unconscious to how best to carry her to the bathroom to begin the dismemberment, and records every detail in a small book. However, when the prostitute arrives, things go down-hill fast, as Jackie (a superb turn from Mia Wasikowska) is far from completely sane herself. Immediately beginning to masturbate, she throws Reed off his game-plan, causing him to laugh nervously. Seemingly annoyed, she retreats to the bathroom, and refuses to come out. After knocking repeatedly on the door to no avail, Reed, who is still hopeful of being able to salvage the evening's homicide, opens the door and walks in on her. Then things get very weird. Partly a film about coming to terms with desires deemed fetishistic by society, and partly an erotic thriller about two people who seem genuinely confused as to whether they're teammates or opponents, the film's most salient theme is, perhaps, the issue of sexual consent, and how easily muddled it can become. It's a brave theme to take on in this post #MeToo era, with the film daring to ask whether consent should still be applicable if a person has consented to something harmful to their person, even up to the point of consensual homicide. Although there's no cannibalism in the film, the storyline reminded me a little of the 2001 case of Armin Meiwes. Looking for a volunteer to eat, Meiwes posted an online ad, "_for a well-built 18- to 30-year-old to be slaughtered and then consumed_." The ad was answered by Bernd Jürgen Brandes, who went to Meiwes's home, where the two made a four-hour video which depicted Meiwes killing Brandes with Brandes's complete consent, and eating parts of him. Initially sentenced to eight years in prison for manslaughter, Meiwes was re-tried in 2005, after a German court argued he had killed for sexual gratification. Meiwes claimed he had only killed Brandes because Brandes asked him to do so, and sexuality had nothing to do with it, but in 2006, he was found guilty of murder and sentenced to life imprisonment. The film doesn't deal with the case explicitly, but the shifting sexual power-play between Reed and Jackie, and the fact that at least twice, one of them believes they've been granted permission to murder the other, raises similar moral issues. Within the parameters of this theme, one of the most obvious aspects of the film is its sense of humour, with many of the laughs coming from how utterly anal Reed is. Half Patrick Bateman, half Frank Spencer, once an unpredictable human element is introduced into his scheme, he finds himself unable to think on-the-fly. As his meticulously laid plans go up in smoke, he proves comically inept at handling any kind of interpersonal relationship (one wonders how he ever wooed Mona). However, the fact that most of the comedy lands on his shoulders throws into relief perhaps the film's most egregious problem; although a good 90% of the narrative is told from his perspective, there's precious little to his personality. Granted, a couple of final-act flashbacks fill us in on why he is so obsessed with murder, but his character simply isn't capable of filling out the film's 81 minutes. And there's less character detail on Jackie than there is on Reed. And there's even less character detail on Mona than there is on Jackie. Despite this, Wasikowska gives a superb performance, all facial tics, unspoken volatility, and nervous mannerisms, with an almost balletic way of moving. The actress is able to find far more psychological nuance in the character than is ever hinted at in the script. I'm not familiar with Murakami's novel, but I gather that much of the character background that is noticeable by its absence from the film is very much present in the book. According to a colleague of mine, the novel's main focus is the psychology of the two leads (in the novel, Reed's character is Kawashima Masayuki, and Jackie's is Sanada Chiaki), exploring the ways in which childhood trauma lingers into adulthood, manifesting itself in unexpected and exceptionally destructive ways. This aspect has been all but stripped away from the film (apart from the brief aforementioned flashbacks). I'm also told the dark comedy aspect is relatively unique to the film, with the novel working more like a tragedy. In this sense, Pesce seems to have made a conscious choice to trim the book's character beats back to their barest elements, replacing the psychological verisimilitude with a self-depreciative sense of humour and ultimately pointless kinky power-play. Indeed, speaking to Indiewire, Pesce states, >_the script probably started out darker than the movie became, but I think through the process of making the movie, we saw what kind of wackiness there was potential for. Particularly in a lot of Japanese literature, there is this awesome sense of humour about the darkest stuff. And while it works differently in a book than it does in a movie, I think through the course of making it, we found how playful it was._ The problem for me is that nothing in the film really lingers – and when some of the imagery is this extreme, it should definitely linger. For example, I've never been able to completely forget my first viewing of _Ôdishon_ – not because of the violence per se, but because the film spends so long building up the character of Aoyama (Ryo Ishibashi), so that when those needles and that wire saw come out, you absolutely feel the weight of what is about to happen. In _Piercing_, I don't really think there's any depravity that Reed and Jackie could have inflicted on one another than would have provoked an emotional response, because I didn't know them, and therefore was unable to care about them, as people. Aesthetically, however, there's a great deal to praise here, with the sound design particularly inventive. During Reed's rehearsal of the murder, he goes through the entire act, from the initial drugging to the dismemberment. On screen, we see him pantomime the actions, but on the soundtrack, we hear the disturbing foley of everything – so as he's miming sawing, we hear a saw cut through flesh and bone. It's a brilliant way to place us firmly within his subjective experience, and it also serves to remind us that the innocent looking Reed is very much planning to do real harm to someone. On a similar note, the music is absolutely top notch. Eschewing an original score, the film instead employs pre-existing tracks primarily from giallo films, including Goblin's scores for Dario Argento's _Profondo rosso_ (1975) and _Tenebre_ (1982), and Bruno Nicolai's score for Emilio Miraglia's _La dama rossa uccide sette volte_ (1972). The visual aesthetic is oftentimes as impressive as the aural. Exteriors (of which there are very few beyond the opening and closing credits) are obviously miniatures, with very little effort to make them look photorealistic. This sets an otherworldly tone right from the start, as if the film is taking place in a slightly alternate reality, as the real and the fake mix together in Reed's confused mind. Interiors are blank, as if they are show-houses, not actually inhabited by a flesh and blood person – one shot, for example, shows a drink's cabinet where the bottles have no brands, just the name of the alcohol. Again, this sets the film's reality apart, as if everything is happening just outside our own world, or our own conception of the world. There are also a couple of nods to the master of body horror, David Cronenberg – a stomach wound pulses and expands as if breathing, a gigantic beetle crawls out of a toilet and infects a character's face, scissor wounds are curiously fingered, a character's ear is split open with a tin opener. It's all very Disney! Ultimately, however, _Piercing_ is more interested in aesthetics than exploring the psychology of the characters. The increasingly extreme goings-on are never anything more than a jokey end unto themselves, with the psychological path that has led the characters to these extremities relatively ignored. With Pesce focused on comedy beats, there are certainly a few laughs, but there's precious little substance. He's undoubtedly adept at evoking the most absurdly grotesque comedy, but he is, thus far in his career, equally as uninterested in developing character or plot. And for that reason, the film comes across more like a calling-card than a self-sustained and complete product.

Similar Movies

Lost Girls

When Mari Gilbert's daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers. - Release Date : 13th-Mar-2020

An Officer and a Spy

In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at Devil's Island. - Release Date : 30th-Sep-2019

The Revenant

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling. - Release Date : 25th-Dec-2015

The Golden Glove

A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s. - Release Date : 21st-Feb-2019

Layer Cake

When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin... - Release Date : 30th-Sep-2004

Maze Runner: The Death Cure

Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze. - Release Date : 10th-Jan-2018

GoodFellas

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway. - Release Date : 12th-Sep-1990

The Hunger Games: Catching Fire

Katniss Everdeen has returned home safe after winning the 74th Annual Hunger Games along with fellow tribute Peeta Mellark. Winning means that they must turn around and leave their family and close friends, embarking on a "Victor's Tour" of the districts. Along the way Katniss senses that a rebellion is simmering, but the Capitol is still very much in control as President Snow prepares the 75th Annual Hunger Games (The Quarter Quell) - a competition that could change Panem forever. - Release Date : 15th-Nov-2013

The Killer Inside Me

Deputy Sheriff Lou Ford is a pillar of the community in his small west Texas town, patient and apparently thoughtful. Some people think he is a little slow and maybe boring, but that is the worst they say about him. But then nobody knows about what Lou calls his "sickness": He is a brilliant, but disturbed sociopathic sadist. - Release Date : 19th-Feb-2010

Paper Towns

Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life-dressed like a ninja and summoning him for an ingenious campaign of revenge-he follows. After their all-nighter ends and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues-and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees of the girl he thought he knew. - Release Date : 18th-Jun-2015

A Dangerous Method

Seduced by the challenge of an impossible case, the driven Dr. Carl Jung takes the unbalanced yet beautiful Sabina Spielrein as his patient. Jung’s weapon is the method of his master, the renowned Sigmund Freud. Both men fall under Sabina’s spell. - Release Date : 30th-Sep-2011

The Professor and the Madman

Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor. - Release Date : 7th-Mar-2019

Cirque du Freak: The Vampire's Assistant

Darren Shan is a regular teenage kid. He and his friend Steve find out about a Freak Show coming to town and work hard at trying to find tickets. They do, and together they go to "Cirque du Freak" where they see many strange acts including a wolf-man and a bearded lady - Release Date : 23rd-Oct-2009


good