Man Ray: Prophet of the Avant-Garde

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.

Artist Chris Berens finds his inspiration in his own magical inner world. The animals and creatures that play a major role in his imagination also populate the landscapes he creates with his special painting technique. It results in scenes that are both enchanting and ominous.

This flipbook-style animation demonstrates the emotions of people who hear voices

The story of one of Australia's greatest 20th century painters, incorporating rich archive material including rare interviews with Smart and his long-term partner Ermes De Zan.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

The true identity of Perth's enigmatic Walking Man is revealed through a compelling investigation in the lead up to the unknown artist's debut exhibition after his untimely death.

I spent a day inside a small abandoned military fort by the sea. With the tide went up and down, I appeared and disappeared into the water.

I and other person, we exercise the daily movements by moving each other's body.

'No Free Walls' is an in-depth look at Brooklyn's changing landscape, through the eyes of Joseph Ficalora, the founder and inadvertent art curator of the Bushwick Collective art project.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’