Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
Hanky Panky 2023 - Movies (Apr 24th)
The Beekeeper 2024 - Movies (Apr 23rd)
Munch 2023 - Movies (Apr 23rd)
Drive-Away Dolls 2024 - Movies (Apr 23rd)
MR-9 Do or Die 2023 - Movies (Apr 23rd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (Apr 23rd)
Accidental Texan 2023 - Movies (Apr 23rd)
Exhuma 2024 - Movies (Apr 23rd)
Arthur the King 2024 - Movies (Apr 23rd)
Monkey Man 2024 - Movies (Apr 23rd)
The Cost 2023 - Movies (Apr 23rd)
Dangerous Waters 2023 - Movies (Apr 23rd)
Downtown Owl 2023 - Movies (Apr 23rd)
Chucky - (Apr 25th)
All In with Chris Hayes - (Apr 25th)
Blood Free - (Apr 24th)
FBI- Most Wanted - (Apr 23rd)
X-Men 97 - (Apr 24th)
Star Wars- The Bad Batch - (Apr 24th)
Grand Cayman- Secrets in Paradise - (Apr 24th)
FBI - (Apr 24th)
The Valley - (Apr 24th)
Vanderpump Rules - (Apr 24th)
Moonshiners- Master Distiller - (Apr 24th)
Under the Bridge - (Apr 24th)
The Big Door Prize - (Apr 24th)
Little People, Big World - (Apr 24th)
Mud Madness - (Apr 24th)
For the Love of Dogs - (Apr 24th)
Accused - (Apr 24th)
Saving Lives at Sea - (Apr 24th)
Michael Palin in Nigeria - (Apr 24th)
Hannity - (Apr 24th)
I get what _At Eternity's Gate_ was going for, visually. But that thing was not a thing i enjoyed. The framing made me rather uncomfortable, which, again, kind of the point, but not for me. Massive props to Dafoe of course, his Oscar nomination for best actor is not uncalled for, and special extra props to Mads Mikkelsen, the sequence between the two of them was far and away my absolute favourite part of _At Eternity's Gate_. But so much of the rest of the thing is just nature shots accompanied by violently jarring piano, and I cannot call myself a fan. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Okay, I will freely admit up front that I rolled my eyes around about the third or fourth time we were given a top-down angle view of Van Gogh walking, walking, walking. And some of the shots went a bit too long, though I suspect there was a point being made. I do not mind being challenged by a movie's content or style, as long as it doesn't insult my intelligence. I found this movie to be interesting enough to stick with it, though we watched it at home and didn't swallow it in one sitting. Rather we watched a half-hour and then went back to it later that day. I didn't notice the shaky camera work that others have commented on, and even though in my own novels I take pride in creating realistic dialogue, I had no problem with the dialogue here that bugged still others. Except maybe for the episodes of repeated dialogue they use to try to highlight Van Gogh's slippery state of mind at these times. It didn't seem very effective to me, so perhaps a bit more subtlety might have been less of a distraction to the viewer. This movie is based on a newer biography that offers an alternate description of the painter's last few years. There is probably no way to be sure if this new theory is correct, but it at least gives one pause for thought. And thought isn't a bad thing to be inflicted with, is it?
Not one for me. I will say that Willem Dafoe is terrific, undoubtedly. His performance in 'At Eternity's Gate' was honestly the only part of this 2018 release that kept my interest piqued. The support cast don't do anything wrong but don't really illuminate the film for me either. It has its heart in the right place, but as a film I didn't enjoy it. The main thing that bothered me was the camera work all around, just absolutely needless shaky cam that adds zero to what's going on onscreen - it even distracts from the main event, for me at least. It is noted that, away from that, visibly the film does look neat. I am admittedly not into art ('twas my least favourite subject at school, in fact), though even so I expected more from this. I am happy for Dafoe that this was positively received as his showing merits high praise, but it won't be one I'll be revisiting any time soon personally.
An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.
A televsion reporter tasked with making a feature about Jean Jacques Rousseau's upcoming 300th birthday uses a local Swiss boy with a remarkable knowledge about the philosopher as her angle for the feature. She then brings in a local professor and Rousseau expert to try to explain how this boy could possibly know so much about a philosopher who died over a hundred years before he was even born. What unfolds is a story about friendship, nature, and the unequal distribution of wealth.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Rusty James, an absent-minded street thug, struggles to live up to his legendary older brother's reputation and longs for the days when gang warfare was going on.
A history of the French Revolution from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. The first part of the movie tells the story from 1789 until August 10, 1792 (when the King Louis XVI lost all his authority and was put in prison). The second part carries the story through the end of the terror in 1794, including the deaths by guillotine of Louis XVI, Marie-Antoinette, Danton, and Desmoulins.
On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.
A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.