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Survivor - (May 15th)
Lets Make a Deal - (May 15th)
The Bold and the Beautiful - (May 15th)
The Young and the Restless - (May 15th)
The Price Is Right - (May 15th)
The Beat with Ari Melber - (May 15th)
Deadline- White House - (May 15th)
Genius Game - (May 15th)
Tipping Point - (May 15th)
Location, Location, Location - (May 14th)
The Honesty Box - (May 14th)
Interior Design Masters with Alan Carr - (May 14th)
Race Across the World Sweden - (May 14th)
Red Bull Soapbox Race - (May 14th)
Big Beasts- Last of the Giants - (May 14th)
The Tucker Carlson Show - (May 14th)
Stephanies Places - (May 14th)
Piers Morgan Uncensored - (May 14th)
Paramedics on Scene - (May 14th)
The Death Coast - (May 14th)
We can be as different as we wanna be, but you can't kill people! Monster is the bleak story of Aileen Wuornos, a prostitute and one of America's most notorious female serial killers. Based around facts of her life and death, the film primarily focuses on the last year of her freedom. Where after entering into a strange lesbian relationship with Selby Wall, Wuornos, fed up of being a abused by men, starts killing those calling on her services. Sad and potent is Patty Jenkins' first full length directorial effort. Though perhaps a touch guilty of pandering to Wuornos' own self created "monster" image, the film none the less has the right blend of sympathy and revulsion to make it a fascinating, if uneasy, experience. Former model Charlize Theron goes through a major transformation to become Wuornos, so much so she's practically unrecognisable. Bulked up in weight and with beaten down make up withering her face, Theron goes on to give a towering performance as the troubled, on the edge killer. Without any thrills or hints of histrionics, Theron is uncompromising throughout the picture. To garner empathy with such an abrasive character is quite a trick, then to switch to monstrosity with conviction seconds later? Well that's almost magical in itself. Theron is backed up well by Christina Ricci as Selby. Selby Wall, an immature young lady oblivious to the dark path she is walking down, is given a great portrayal from Ricci. In light of the powerhouse show from Theron, it's much credit to Ricci that she enhances the film with her own delicate characteristics. Helping to emphasise the strangeness of the union in the process. It's a tough film for sure, and come the final credits one is left with a feeling of sympathy towards Wuornos and the life she lived. If that be right or wrong is of course up to the individual viewer. Or if that was even Jenkins' intention is probably up for debate. But Monster exists and survives as a bitter character study of a desperate woman, which through the medium of cinema, makes us the viewers privy to something very edgy indeed. 7.5/10
The movie was alright. It was more of a sadistic type of love story. What they failed to capture is really how nuts she was. Like do less of a love story and more of her psychoness. The bitch was crazy! All the crazy interviews with her and all the outbursts she did in court, where's that? This movie almost tried to make you feel sorry for her when they really didn't show just how crazy she really was.
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't.
Film adaptation by Straub and Huillet of Hölderlin’s 1798 tragedy on the symbolic death of Empedocles, the legislator in Ancient Greece.
After Xiao Yu's mother died in an accident, she moved back to live with her birth father who she knows little about. Gradually, they grew to know each other and to accept each other for who they are.
Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.
Condominium residents are terrified when they learn that two of their neighbors have been brutally raped and that the culprit may be living in their midst. A police manhunt ensues. One officer, who actually lives in the complex, is particularly troubled, for not only do the incidents cause his wife to admit that she was a victim of date rape, he is also the one who had a chance to kill the rapist and didn't.
Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.
From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity-only for the couple to fall from grace because of some all-too-human sins.
A couple plots to murder a random stranger just for the thrill of it, but things turn ugly when one of them decides not to go through with it.
A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.