Arthur the King 2024 - Movies (Apr 23rd)
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Accused - (Apr 23rd)
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This Old House - (Apr 23rd)
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Uncensored - (Apr 23rd)
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
Recorded in 1992 at the Ludwigsburger Schlosstheater, this release from Art Haus Musik features a performance of Wolfgang Amadeus Mozart's two-act opera Die Zauberflote. The production stars Deon Van Der Walt as Tamino and Ulrike Sonntag as Pamina and includes music by The Ludwigcburger Festspiele
Description Every year when the Ernie Haase & Signature Sound Christmas Tour arrives in cities and towns all over the country, the audience always goes home happy, and yet wistful, wanting to find a way to wrap up the evening in a box and take it home to enjoy again and again. Finally - after five years - that wish has come true!
Translucence, transparency – warmth’ are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's 2008 production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino. This High Definition recording with true surround sound marks the start of the exciting collaboration between Opus Arte and Opernhaus Zurich.
Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.
1. Got Me Under Pressure 2. Waitin' For The Bus 3. Jesus Just Left Chicago 4. I'm Bad, I'm Nationwide 5. Pin Cushion 6. Cheap Sunglasses 7. Pearl Necklace 8. Heard It On The X 9. Just Got Paid 10. Rough Boy 11. Blue Jean Blues 12. Gimme All Your Lovin' 13. Sharp Dressed Man 14. Legs 15. Tube Snake Boogie 16. La Grange 17. Tush That Little Ol’ Band from Texas comes up big in ZZ Top: Live from Texas, a concert recorded on November 1st, 2007 at the Nokia Theatre in Grand Prairie, Texas. The hirsute trio (guitarist Billy Gibbons, bass player Dusty Hill, drummer Frank Beard) has been at it for nearly four decades now.
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?
This collection includes Whitney's 1985 television debut, live performances from around the world, rarely sen behind-the-scenes footage, exclusive interviews and much more, all with a fully interactive Whitney as your guide!