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Nothing left to do but try again. Gunfighters (AKA: The Assassin) is directed by George Waggner and adapted to screenplay by Alan Le May from the novel "Twin Sombreros" written by Zane Grey. It stars Randolph Scott, Barbara Britton, Bruce Cabot, Dorothy Hart, Griff Barnett and Forest Tucker. Music is by Rudy Schrager and Gerard Carbonara and cinematography by Fred Jackman Jr. A gunman who has laid down his guns finds that circumstances test him to the limit... It's a familiar formula that any Western film fan can acknowledge as being over used, that's not to say that the right production isn't worth visiting as such, but expectation of something fresh can often lead to dissappointment. Built on solid foundations due to scorching location photography and Randolph Scott prepping himself for greater things in the next decade (see also The Walking Hills 1949), it's a pleasurable piece. It also - via the narrative - isn't afraid to be bold as regards the ultimate decisions made by Scott's Brazos character, giving the pic a darker edge and being all the better for it. Elsewhere, the villains are standard stuff but entertaining regardless, the twin beauties of Britton and Hart have interesting parts to play, and the action scenes are well put together - with the pursuit sequences exciting. Filmed in Cinecolor, it's nice to report this is one of the better photographed Westerns in that format, which is just as well because the Sedona locations are to die for. Not what you would term a keeper, but for Western fans of the era and Scott fans in general, it's worth its salt. 6.5/10
Randolph Scott is "Brazos", an accomplished man with a gun who finds himself accused of the murder of a man on a ranch. Can he prove he is innocent before the law, and the ranch-owner catch up with him? I usually find Scott a bit too sterile in these roles and here is no different. His style of acting is dignified and aloof - and somehow or other that just leaves the adventure element a bit flat. Add to the mix the almost twin-like sisters of "Bess" (Barbara Britton) and "Jane" (Dorothy Hart) and the romantic elements further contribute to the dullness of the whole thing. Bruce Cabot and Forrest Tucker try to inject a touch of menace into the proceedings, but sadly just to little too late to rescue this from mediocrity. Rudy Schrager's score is neither one thing nor the other, either - it dances a line between jollity and peril in an overblown and interfering fashion and all told, we are presented with nothing at all special, here.
Gene Autry follows a clue written on a rock by his murdered partner and discovers a fur smuggling operation near the Canadian border.
Dorothy, and her big city lawyer boyfriend, return to the Lazy 'B' ranch to read her late father's will. For Dorothy to inherit everything, she must stay on the ranch for 5 years. If she does not, everything goes to Buck, who is the manager. She does not like Buck, so she makes a deal with the wrong people for cattle and then the outlaws go to the ranch to get the $10,000 from her. But Buck is on the job.
In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter's boyfriend schemes to steal the land for himself.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
A judge in a murder trial, believing the defendant is innocent, sets out to find the real killer.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
A lawman captures the notorious "Pecos Kid", who is tried and hanged for his crimes-then starts to have doubts as to whether the Kid actually committed the crimes.
Frenchie Fontaine sells her successful business in New Orleans to come West. Her reason? Find the men who killed her father, Frank Dawson. But she only knows one of the two who did and she's determined to find out the other.
A man has died leaving a fortune somewhere on his ranch. Brandon and his cohorts think a map is hidden in a picture frame. But when they bid on the picture at the auction, newcomer Jerry Lane outbids them. He also buys the ranch so they place their housekeeper there to get the picture. And then to keep Jerry out of the way, they frame him for murder.
Outlaws attempting to kidnap Steve Blaine from a stagecoach are ran off by the sharpshooting of his sister, Sally and rescuers Jimmy Wakely and Cannonball Taylor. Steve is investigating his father's sudden death after charges of theft from the Sloan/Carson mine. Sloan is killed after Wakely learns that ore is being smuggled across the Mexican border into the mine, and then sold at the higher U.S. prices