Coffin Dodgers

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

It's a simulation of reality where you can see the world from everything's point of view - it's kind of a philosophy project in the form of a game. There is no narrative or story - just the world as it is. Everything: Gameplay Film is an overview of David O'Reilly video game of the same name, crafted as a short film with a narration by Alan Watts

She comes at night, quiet as a cat, to take his sleep away until he feeds her. All she needs is milk brought by him somewhere between sleep and reality. Her name is Insomnia.

Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters.

The Carp and the Seagull is an interactive short film about one man's encounter with the spirit world and his fall from grace. It is a user driven narrative that tells a single story through the prism of two connected spaces. The film is an experiment in space and narrative using the latest in web technology.When the film was released, it was billed as the world's first interactive 3D film for the web, going on to win numerous web awards. The story is told in a stripped down polygonal style that reflects the emotional, spiritual states of the characters. High density, smooth polygon vertices indicate oneness with the world while distorted, non-uniform shapes show unease within the characters. The film's protagonist is Masato, a simple fisherman, spending his days fishing the waters near his village eking out a quiet, structured life. The Carp and the Seagull focuses on his encounter with the Yuki-onna ghost.

Lynn Smith's animated short. Nominated by Genie Best Short animation.

The Hungry Squid is 2002 animated short film by John Weldon, about a young girl whose homework and personal life is being disrupted by creatures, including a giant ravenous squid.[1] The film was animated using Weldon's personal style of do-it-yourself filmmaking, combining low-budget computer animation with puppets, photos and stop-motion animation in a technique he calls "digital recyclomation." The film's producer, Marcy Page, had coined the term "recyclomation" during production of Weldon's 1991 film, The Lump

Short animation from Pierre Veilleux. Honoured as best Canadian short animation in the Canadian Film Awards (precursor to the Genies). Here the animator gives vivid expression to his own memories of a child's first encounter with elementary school-at that tender age when grown-ups seem ten feet tall, a monster lurks in every corridor, and the very walls have eyes. Feeling, but not understanding, the regimentation imposed on him, the child seeks, in spite of it all, to be himself.

On a magical Tuesday night, a group of frogs take off on a journey through the nearby neighborhood.

Driven by his love of cannabis, a street dog displays incredible promise for the drug squad when he chases down a local dealer. He makes headlines worldwide as he takes on smugglers and crime lords. But when his drug habit and his work inevitably collide, a clear message emerges: dogs and cannabis don't mix.

Tukiki is a small Eskimo boy who sets out to discover the meaning of Christmas along with a magical character known as North Wind. He visits different places and learns about their customs of Christmas which brings about a turn of events when he arrives home.