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Stacey Solomons Renovation Rescue - (Apr 18th)
The Amazing Race - (Apr 18th)
Tucker on X - (Apr 17th)
The 1980s Supermarket - (Apr 17th)
Springtime on the Farm - (Apr 17th)
Andi Oliver’s Fabulous Feasts - (Apr 17th)
CMT Music Awards - (Apr 17th)
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Drama Queens Drama - (Apr 17th)
Tipping Point Australia - (Apr 17th)
Star Wars- The Bad Batch - (Apr 17th)
X-Men 97 - (Apr 17th)
Grand Cayman- Secrets in Paradise - (Apr 17th)
The Curse of Oak Island - (Apr 17th)
Neighborhood Wars - (Apr 17th)
The Challenge- All Stars - (Apr 17th)
Lopez vs Lopez - (Apr 16th)
Fixer to Fabulous Italiano - (Apr 17th)
Moonshiners - (Apr 17th)
Don Emilio is a humble, 63-year-old man who lives in the Amazon rainforest, seven miles from the city of Iquitos, Peru. For all of his adult life he has worked as a curandero and vegetalista, a traditional healer. He estimates that in his career he has treated more than 2,500 clients. Through the camera lens of anthropologist Luis Eduardo Luna, Don Emilio tells us about his practice, his beliefs, his community, and his life. He shows us how he prepares ayahuasca and other herbal medicines. Finally, we see Don Emilio treat a man who has come to him for help, and hear from a poor woman who has brought her infant son for medical care.
Struggling with a mid-life crisis, Robert Oelman leaves his psychology career in the early 1990s to photograph rare and exotic insects. After moving from the United States to Colombia, he forms a special bond with his subjects in the Amazon rainforest. This connection enables him to make striking photographic images of new and undocumented species. After more than 20 years of traveling, searching, and photographing, his quest culminates with a New York City gallery show where he finally shares his images with the public.
A series of suicides among youths who had to travel far from home to go to school, shocked their indigenous community in the Colombian Amazon. They are different cultures in the frantic friction of our time, it is a generation of young people born from the meeting of both cultures who are hanging before the mirages of a foreign world.
A documentary that tells the story of five American Indian artists, the Urban Indian 5 (UI5), and their unique partnership.
Following filmmaker Taye Alvis as he looks to reconnect to his community of Walpole Island First Nation. Taye will explore his relationship to Walpole Island, and how one can reconnect to their traditions and culture by way of conversation, arts, and recreation.
At an altitude of 4500 meters, on the highest plateaus of Karnak in the Himalayan région of Ladakh, in a lunar setting where the sky blends with the mineral immensity, director Marianne Chaud filmed the movements of these last nomads. Immersed for months in their community, speaking their language, she placed her camera as close as possible to their voices and gestures, offering viewers encounters of a rare intimacy. As much as the splendor of the landscapes, the extreme harshness of the living conditions or the emotion shared with these nomads, it is this closeness that creates the magic of the film.
The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?