Mína z Barnhelmu

Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Lost Children (Czech: Ztracenci) is a Czechoslovak war film directed by Miloš Makovec. It was entered into the 1957 Cannes Film Festival.

The Protar Affair (Romanian: Afacerea Protar) is a 1956 Romanian comedy film directed by Haralambie Boroș. It was entered into the 1956 Cannes Film Festival.

A story about two half-sisters life in the eighteenth century Suriname. There is Lynda, a white colonial and slave owner, and her slave Mini-Mini's. While Lynda is slowly embittered by the hard life in the colony, Mini-Mini gets a chance at her own happiness. The question is, if she dares to seize that chance, as this happiness is at the expense of her mistress and half sister?

Based on a play by Phoebe and Henry Ephron, "3 Is a Family" is a 1940s farce. Charlie Ruggles plays a hubby whose bungled business schemes force his wife, Fay Bainter, to enter the workplace. The couple's daughter, Marjorie Reynolds, shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife (Jeff Donnell). And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well.

In this abridged television production, Lear vows revenge against his conniving daughters after they try to take swift control of his power.

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.