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Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.
Examines Gabby's life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.
This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.
70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
Lubna is a pretty young girl living in NYC. Raised conservatively by a Moslem family, she finds difficulty finding a mate to marry in the big progressive city. This leads her to search and eventually find the man of her dreams on Facebook. In her excitement not to lose him, Lubna decides to travel to Jordan to surprise her newfound love, only to discover that what she sees online may not be what's real.
A woman travels through a virtual world in which she is only recognized through her publications on social media or her reflections on the screen. Her day seems to pass in the circuits of a virtual platform where she interacts with other Internet users, chatting, reading articles online or ordering delivery. She is interrupted by a sound that forces her to walk through her house until she discovers something that will reveal the most painful and revealing aspects of her own existence.
A segregated Christian cult and the world of internet fame collide when Abigail Aberdeen is told to make videos for God’s eyes only.
Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.
Two friends can't afford their rent and decide to take criminal actions, as they document the act through an app.
The pursuit of happiness (and the display of happiness on social media!) has become a veritable cult. Happiness has become a social imperative, just like slimness, beauty and success. To better understand this obsessive quest for happiness, journalist Marie-Claude Élie-Morin takes an in-depth and personal look into this seemingly pervasive trend that sometimes leads to painful consequences.