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a movie within a movie within a movie. epic... except it's not I do want to see Aubrey Plaza in more lead roles though
Aubrey Plaza is terrific in this! 'Black Bear' is intriguing from beginning to end. I did find the first half to be the stronger and most interesting part, though the conclusion is still fairly captivating all the same. As noted, Plaza is excellent throughout - she carries the film, no doubt. Christopher Abbott has a few moments, while it's neat to see 'The Walking Dead' newcomer Paola Lázaro involved.
I’d really like to like Black Bear. I actually was really liking it a lot, even enjoying it, right up to the halfway point, where the whole thing comes crashing down faster than Kevin Spacey’s career. Black Bear is divided into two parts; The Bear on the Road, and The Bear by the House (let’s call them BB1 and BB2); both parts end with the appearance of the titular Ursus americanus, but could very well have ended with a sign saying ‘Dead End’. In a remote lake house in the Adirondacks, Gabe (Christopher Abbott) and Blair (Sarah Gadon), welcome Allison (Aubrey Plaza), an up-and-coming film director. Like the stereotypical artists, these three are creative and intelligent, but also childish and belligerent. Allison is a bald-faced pathological liar, Gabe is immature and manipulative, and Blair doesn’t let her pregnancy get in the way of a burgeoning alcoholism (the casting, by the way, is spot-on). Their interactions are fraught with patronizing passive-aggressiveness.This is plain good ol’ rubbernecking fun. The dialogue is both obscene and highbrow(I especially enjoyed the use of the word “solipsistic”), but sadly the biggest insult, to the audience’s intelligence, takes the form of a cliffhanger —for lack of a better term — that segues into BB2.The second half is a meta-textual quagmire wherein there’s a movie-within-the-movie, but that inner movie isn’t really the movie we were watching thus far, so presumably there’s a hypothetical third movie buried somewhere in this conceptual nightmare. If BB1 was a about a train wreck from which we could not take our eyes off, BB2 is just a train wreck, period. The only quality that crosses over from the first half is the acting, which is probably even better — but that just makes me feel sorry for the cast. All things considered, what we have here are two drafts of the same admittedly good idea, which doesn’t equal a single finished product. Instead of going back to the drawing board, the writer/director has simply opted to present the same underdeveloped premise twice in a row, both times neglecting to come up with a proper conclusion.
Julián Lemar, a best-selling suspense writer, goes on vacation with his family to a cabin in the woods. During a strong storm, the power goes out and a woman shows up desperately asking for help: her husband killed her son and now he wants to kill her. From that moment on, danger and deception are a constant threat and for Julián a hellish night begins until he discovers the truth.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
A young interracial couple has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their relationship. A tightly wound LAPD officer has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly aggressive to the newlyweds. These persistent intrusions into their lives cause the couple to fight back.
Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside country estate, rented by his brother-in-law, admiral Croft, so the financially stressed baronet can afford a fashionable, cheaper residence in trendy Bath. First the former lovers meet again on the estate, where they feel vibes again, but neither dares admit them until it seems too late.
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.
A wife wants her husband to get her a set-top box. The husband goes out to buy it with his drug peddler friend and gets into problems that soon spiral out of control.
For Norman and Ethel Thayer, this summer on golden pond is filled with conflict and resolution. When their daughter Chelsea arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years.
Despite initially starting out in wedded bliss, devoted wife Candice and her manipulative husband, Ken, end up at odds, so much so that he hires a hitman to kill her and their unborn child. Candice finds herself embroiled in the fight of her life.