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This Old House - (Apr 20th)
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The Bold and the Beautiful - (Apr 19th)
The Talk - (Apr 19th)
The Price Is Right - (Apr 19th)
The Kelly Clarkson Show - (Apr 19th)
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Beyond Paradise - (Apr 19th)
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The Spiderwick Chronicles - (Apr 19th)
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Big Little Crimes - (Apr 19th)
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Nice to finally watch 'The Duke' at the cinema, given it had been delayed from September 2020 and I didn't get around to it during its February 2022 release - managed to catch one of the last few showings this afternoon. I don't usually check out trailers but I did unintentionally see one for this before a different film and it did look good - and I, now that I've seen it, can confirm that to be the case. It's very British, North Eastern English to be exact, with Jim Broadbent sporting an amusing Geordie accent - I'm a Southerner, but it sounded spot on to me. Broadbent is a great choice to play the main character, bringing all the necessary qualities to a role like Kempton Bunton. Helen Mirren is also involved to pleasant and noteworthy effect. Matthew Goode has a smaller role too. It is quite the true story that this film is based upon, one that is told in a fun but also meaningful manner - sometimes it is a bit too sweet for my liking, though for the vast majority it's neatly heartfelt. Cool to see the 'Dr. No' connection in there, also. A charmer. No doubt worth a watch if you get the chance.
Jim Broadbent and Helen Mirren are two performers I tend to follow and give any production they are in a try. This is yet another movie based on actual events. I have nothing against that obviously if it is well done, but as someone who writes novels I am sometimes tempted to ask if production companies could support screenwriters who write pure fiction a bit more often. But that observation takes nothing away from this production. Broadbent is good throughout, especially when he charms the jury in a courtroom scene, which is nearly worth watching the movie all by itself. Helen Mirren disappears into her role as the almost crumpled housewife and does a great job. The film held my interest and I didn’t see the slight twist in the plot coming, though it feels right once it is revealed. I will be willing to watch the movie again if the opportunity arises, which for me is what separates the adequate programming from the truly entertaining.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A delicate exploration of the highs and lows of intimacy between Leila and Ibrahim, a loving couple, as they deliberate the difficult decisions surrounding conception and parenthood.
A newlywed couple attempts to save their marriage by recreating a petty crime.
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.
Guillaume Canet is told by a young co-star that he's no longer Rock'n' Roll and can't sell films anymore. He then tries to prove her wrong and gets help from his girlfriend, Marion Cotillard.
Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.
When Johannes gets caught by his girlfriend while laying on the bathroom floor watching porn and masturbating she doesn’t care and wants him to enjoy himself. That makes Johannes lose the feeling of shame he needs and sends him into an existential crisis and loses his ability to masturbate. Trying to regain that shame leads to an explosive confrontation for them as a couple.
An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.
Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon).