Punainen kohina

Matia, a marginal young man, escapes to an island in the River Paraná. In an uncomfortable atmosphere that is not his own, he tries to start a new life, but the tensions his arrival cause take him back to his criminal past and to the idea of having to flee in order to survive.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

a girl struggles to grasp a sense of reality, as the world around her becomes illusive and dream-like.

As he helps a young artist with her upcoming exhibition, the owner of a mannequin shop's deadly, suppressed desires come to the surface.

An atmospheric look into loneliness and heartbreak, all through a highly experimental lens.

The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.

Worried for his friend's mental health, Jack decides to take the day off in order to remind him how fun life can be.

Marwan a superstitious OCD patient knows that his grades will be out in an hour and tries to fight his obsessive thoughts.

They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.

2009. Michel Djerzinski, a genius researcher specialized in molecular biology, mysteriously disappears in Ireland. His latest discoveries would have opened the way to a major upheaval in the history of human genetics. This is the occasion for a dizzying plunge in time where we discover his half-brother Bruno, a tortured joker who will meet love in a post-sixties campsite, Janine, Bruno's and Michel's mother, a former hippie who has always refused to raise her children in a conventional way, and Annabelle, with whom Michel will fall in love as a child.

A man struggles to find solace in isolation in a supposed time of joy and festivity - Christmas