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Lovers and Liars - (Apr 19th)
The Bold and the Beautiful - (Apr 19th)
The Talk - (Apr 19th)
The Price Is Right - (Apr 19th)
The Kelly Clarkson Show - (Apr 19th)
Lets Make a Deal - (Apr 19th)
Beyond Paradise - (Apr 19th)
So Help Me Todd - (Apr 19th)
Bargain Hunt - (Apr 19th)
The Spiderwick Chronicles - (Apr 19th)
Passenger - (Apr 19th)
After Midnight - (Apr 19th)
Big Little Crimes - (Apr 19th)
Deadliest Families - (Apr 19th)
Four in a Bed - (Apr 19th)
TNA iMPACT! - (Apr 19th)
Selling Houses Australia - (Apr 19th)
WWE The Bump - (Apr 19th)
ROH On HonorClub - (Apr 19th)
The Last American Vagabond - (Apr 19th)
I've got two lousy weeks left, and you're asking me to have faith? The Last Mile is directed by Howard W. Koch and adapted to screenplay by Milton Subotsky and Seton I. Miller from the play of the same name by John Wexley. It stars Mickey Rooney, Frank Overton, Michael Constantine and John Vari. Music is by Van Alexander and cinematography by Joseph Brun. The Death House is the cell block where nine inmates await their dates with the electric chair. Some of the guards delight in tormenting the condemned men, one of whom is Killer John Mears (Rooney), and he's had enough... Already made in 1932 with Preston Foster in the starring role, Howard Koch's 59 version of The Last Mile taps into the film noir zeitgeist of the time and unleashes a film of great power. Essentially played out on one set, there was a danger that this could have been too stage bound as a production, but not a bit of it, the tight confines of the shoot are just perfect for the thematics of the story. Pic begins with imposing title credits, an animated drawing of "Old Sparky" accompanied by shards of Van Alexander's Jazz "N" Blues musical score. We are then locked up with the convicts of "The Death House", sharing their fears, their anger and their regrets, the constant glances towards "The Door" at the end of the block akin to catching a glimpse of "The Grim Reaper" spying on you. For the first two thirds of the piece the makers ask for our patience as they build characters and atmosphere, gently ratcheting up the tension with every claustrophobic frame. Prison stories were ready made for film noir purveyors, offering great opportunities for the cinematographers to utilise the steel bars for psychologically shadowed impact, and Joseph Brun does that excellently here, even managing to extend the cell shadows over the smug guards, the inference is that they too are locked up in this place of abject misery. The air of fatalism mixes with the sweat of the men and drips down the cell walls, we are left in no doubt that this powder keg is about to be ignited, and when it comes it comes with the thunder, producing a last third of kinetic cinema of throat grabbing proportions. To which Koch and his team deliver a film noir coup de grace. Rooney leads the way with his performance of a seething John Mears, it's not over acting as some critics of the time suggested, it's a full on commitment to the portrayal of the incarcerated male who literally has nothing to lose and has had enough of being taunted. The other actors around him inevitably pale into his shadow, but they also put much emotion into their respective roles, very much so. An under seen and under valued prison noir, The Last Mile should be sought out by anyone with a bent for such films. 8.5/10
A small time thief from Belfast, Gerry Conlon, is falsely implicated in the IRA bombing of a pub that kills several people while he is in London. He and his four friends are coerced by British police into confessing their guilt. Gerry's father and other relatives in London are also implicated in the crime. He spends fifteen years in prison with his father trying to prove his innocence.
A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title. Is he lying, or insane - or is he telling the truth? Who, if anyone, is after him? And what *is* - the secret?
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.
An abandoned teen jumps a freight train in Philadelphia intent on reaching his uncle in Indiana, whom he believes will help him with financial difficulties including a pregnant girlfriend. In Ohio, he meets another homeless teen, who escorts him to his uncle. Finding his uncle equally broke, the duo head on to Oklahoma City to try to find the first teen's long-gone ex-con father. A confrontation between father and son send the duo on into exploits in the west including getting beaten up, busting into an Indian reservation church, and hitch-hiking with a beautiful nurse.
A decade after punk band Crust split, the band members lives have fallen apart. Drummer Bonehead has just been released from prison and sets about reforming the band for one last show.
After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt, they make a break together. Unable to shake the clumsy Quentin Ruby is forced to take him along as he pursues his former partners in crime to avenge the death of the woman he loved and get to the money.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.