A Tribe Called Judah 2023 - Movies (Apr 19th)
Blood for Dust 2023 - Movies (Apr 19th)
Rebel Moon - Part Two The Scargiver 2024 - Movies (Apr 19th)
Asphalt City 2023 - Movies (Apr 19th)
Late Night with the Devil 2023 - Movies (Apr 19th)
Problemista 2023 - Movies (Apr 19th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
The Christmas Break 2023 - Movies (Apr 19th)
The Christmas Detective 2023 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Never Alone For Christmas 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
S.W.A.T. - (Apr 20th)
The Last Word with Lawrence ODonnell - (Apr 20th)
Gardeners World - (Apr 20th)
Alex Wagner Tonight - (Apr 20th)
Michael Portillos Long Weekends - (Apr 20th)
Best Bite in Town - (Apr 20th)
Americas Backyard Gold - (Apr 20th)
My Lottery Dream Home - (Apr 20th)
Mysteries of the Abandoned- Hidden America - (Apr 20th)
CrimeCam 24-7 - (Apr 20th)
Cops - (Apr 20th)
Jerrod Carmichael Reality Show - (Apr 20th)
Gogglebox - (Apr 20th)
Have I Got News for You - (Apr 20th)
Late Night Lycett - (Apr 20th)
Springtime on the Farm - (Apr 20th)
The ReidOut - (Apr 20th)
All In with Chris Hayes - (Apr 20th)
The Price Is Right - (Apr 20th)
Gold Rush- White Water - (Apr 20th)
The Woman King is a touching film that balances the dramatic tone with high octane action delivering a compelling experience. With a powerhouse cast, there is plenty of fantastic performances throughout the entire film. Lashana Lynch was brilliant in this film, she presents herself with a hard exterior but is able to touch into her more emotional and caring self her relationship with Thuso Mbedu's character. Their chemistry was great and one of my favorite parts about the film. The action in this film was really well done. The choreography was great, and the scope was vast. I loved how multiple shot led into each other. Although, part of me wish this had been rated R so that the fight scenes could have the blood and gore that this movie was wanting to deliver so desperately. I really feel like they had to cut even greater combat moves due to keeping the PG-13 rating. But even with that limited scope, that action delivers. There are some pacing issues, with the middle section of the movie dragging on a little too much for my tastes. The ending ramps everything back up again and delivers a great resolution that concludes the film wonderfully. **Score:** _74%_ | **Verdict:** _Good_
Viola Davis offers us a compelling and emotional performance as the general of the highly trained and deadly, all-woman, bodyguard of the King of Dahomey (John Boyega). Increasingly embroiled in the ambitions of the European slavers and, to a certain extent, complicit in that trade themselves, the Agojie must face encroaching and modernly armed soldiers of the Oyo empire. On a personal level, this great warrior clearly has demons of her own and as she is introduced to the headstrong and courageous "Nawi" (Thuso Mbedu) she sees more of herself than she anticipated. When serendipity now plays it's hand the hitherto unshakable mettle of "Nanisca" faces an whole new series of perilous and personal challenges. The cinematography is beautiful, as is the whole look of the film in general. The political and social elements of the narrative are there to be seen but any comments made about them are levelled gently and at both sides who indulge, permit, and/or profit by the activities that made many very wealthy. The action scenes, the ensemble dancing, the singing - all are excellently presented in a colourful and plausible fashion; illustrating the sophistication of this legendary African nation and the shameless brutality of those who would be the exploiters. Lashana Lynch contributes well too, as the personable and feisty "Izogie" as do Sheila Atim ("Amenza") and Sivuyile Ngesi as the nemesis general "Migan". Annoyingly, I could not quite place the "Santo" actor until I realised it was none-other than the star of the truly mediocre "After" films - Hero Fiennes Tiffin - and he adds very little. It really benefits from the big screen experience, if you can - and is well worth a watch.
**The Woman King is a powerful action epic with fantastic fight choreography, dynamic, strong performances, and a compelling story rooted in history.** Viola Davis crushes brutal action heroine! The entire cast was powerful, vicious, strong, and exciting. The action explodes right out the gate and feels so raw, with the jujitsu, Kali, and Chinese Wushu all blending with the machete and spear fighting to feel like the sword version of John Wick's gun-fu. Viola Davis' steely strong portrayal of Nanisca delivers a mighty yet caring warrior general, creating the genuine and dynamic atmosphere of the film. The entire cast gave stellar performances, but the stand out was Lashana Lynch as Izogie. Lynch was as over-powering, unstoppable, and skilled as any warrior in the film while also serving as the heart, humor, and strength of her Agojie sisters. The film was a fantastic adventure epic but lagged a little in the middle as it focused solely on character development and exposition. Yes, I know I'm complaining about character development, but it was just solid discussion and characters without much to keep me engaged for that hour-long middle section. But that is nitpicking. The movie is fantastic! Watch it!
I liked The Woman King okay: the scenery and acting were fine and the music glorious, but why did I sometimes feel I was watching a different “King” movie by Disney? They danced as well as they fought; though to be fair, is it much different than the complex marches used by more modern armies? There was a bit too much violence for my taste, but perhaps it is needed for the target audience. The story was stereotypical in places, though for this progressive white guy, it was refreshing not to see white faces shoehorned into the story to placate the (only) White Lives Matter crowd, who were out in force with negative reviews. Here is a tip: if a four-star review points out positives but throws in complaints about historical accuracy and not enough Caucasians for the movies’ setting— okay, maybe. But if a one-star review screams about the issue, welcome to the Keep Movies White World. Are they just as offended by the thousands of movies that ignored or appropriated stories and roles of people of color in all white movies though the decades? I think not. So while this movie won’t make any of my lists of favorites, I am glad it was made available to women and girls and other less-thin skinned caucasians like me to enjoy.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-woman-king-spoiler-free-review "The Woman King shares an immensely captivating, culturally significant story about the Agojie, a unit of female warriors who fight to protect their own. Viola Davis shines, but Thuso Mbedu delivers one of the best feature film debut performances I've ever witnessed. The anti-slavery, anti-racism and equal human rights messages are well conveyed, but the authentic, emotionally resonant character dynamics stand out due to a chemistry-filled cast. Action sequences hold high levels of brutality, accompanied by excellent choreography and an energetic score. One of the best movies of the year... ignoring the butchered Portuguese." Rating: A-
Amazing movie!
Oh come on with the good reviews, even if she wasn't an evil slave trader, the film comes across as a melodramatic propaganda piece from start to finish... ... but then again, it was a melodramatic propaganda piece from start to finish... ... but that's not why it's one of the movies with a huge disparancy between critic and user reviews on the more reputable sights. It was intentionally polarizing. Rational people are ripping into it because they turned a power hungry monster responsible for the slave trade and a fair amount of ethnic cleansing into an anti-slavery hero. It was a monumental rewrite of history from start to finish, one so extreme you can't even give it the excuse of artistic license. And it was intentional, there were a lot of other people that you could make a heroic movie about that fit the mold they were looking for to push meh message. But they chose this one because the point wasn't to praise the historical figure, the point was to praise the total rewrite of history. And make no mistake, that is the reason for the positive reviews. They don't care that it's a cheap poorly written over-acted political propaganda flick, they are praising the fact that they blatantly and knowingly rewrote history, and then turned around and said "we don't care, it's rewritten now, we have changed reality and, guess what, all of our goose stepping followers don't care either."
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
Diane and Dora are two whores who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.
A young girl arrives in New York City from Ohio determined to make it in the big city, but circumstances result in her becoming a waitress, then a prostitute.
Renegade bounty hunter Ryan Swan must carve his way through the Hawaiian crime world to wreak vengeance on the kingpin who murdered his father.
Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.