Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
A Quiet Place Day One 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Repair Shop on the Road - (Jan 20th)
Love Island- All Stars - (Jan 20th)
Murdoch Mysteries - (Jan 20th)
Forensic Factor- A New Era - (Jan 20th)
Katy Tur Reports - (Jan 20th)
Deal or No Deal - (Jan 20th)
Richard Osmans House of Games - (Jan 20th)
Panorama - (Jan 20th)
Outnumbered - (Jan 20th)
Hannity - (Jan 20th)
The Five - (Jan 20th)
Bargain-Loving Brits in the Sun - (Jan 20th)
PULISIC - (Jan 20th)
Junior Bake Off - (Jan 20th)
Wipeout - (Jan 20th)
Pictionary - (Jan 20th)
Saint-Pierre - (Jan 20th)
Family Feud Canada - (Jan 20th)
Hamster and Gretel - (Jan 20th)
Bargain Hunt - (Jan 20th)
Very much more of a character-driven look at the experiences of French prisoners during the first world war. The inmates represent - much as did their army - soldiers from all aspects of life. The aristocratic Pierre Fresnay as "Boeldieu", Jean Gabin "Maréchal" and Marcel Dalio "Rosenthal" as the more down to earth captives - but all proud Frenchmen with their own determination to escape their imprisonment. The film features many of their valiant escape attempts; along with providing us with quite an interesting illustration of the toughness of their existence and the diversions they sought from the terminal ennui. "Boeldieu" forms an unlikely, respectful relationship with the Commandant - Erich von Stroheim; a fellow aristocrat who feels himself a failure for ending up as a glorified jailor rather than fighting gallantly on the battlefield. On a basic level, it is really quite routine; and the ending almost incidental: what makes this distinctive is the way the story interweaves the decline of a centuries old class system; the chivalric honour between opponents being a thing of the past. This is very much about "Egalité" and "Fraternité" in order to secure "Liberté" and is told in as sympathetic a fashion as it is possible given the gritty peril of their circumstances. Gabin and von Stroheim are particularly effective as is Joseph Kosma's score and the tightly focussed direction on just a few central characters really does give this a sense of purpose.
Bane and Vesna are young and happy couple. Vesna gets pregnant, but soon she was told that Bane was not faithful to her, which was a lie made by their female acquintance. Vesna's parents decide to sell their little son to a German couple. After finding out what has happened, Bane kidnaps the baby and runs away with it on his motorcycle. With the help of his loyal friends, he seeks hideout from the police.
Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)
Alice, a perfect wife and mother, lives happily with her husband and child until the day she discovers he is living a double life that has ruined her financially and left her a single mother. Alice fights back and dives into a world beyond anything she has ever known.
We follow the aftermath of Erik Lund’s heist when the police knock on his door. As he scrambles to conceal his crime, a single voicemail threatens to unravel his meticulously crafted alibi, leading to a suspenseful confrontation with fate.
In 1910, a young laundress leaves her rural home, fleeing from her father's violence. With her, her two sisters and their baby brother. Along the way they try to break free from the past and rediscover a future.
Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).