Frauenzimmer

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

Meet Andrew Lindy: a man with a camera and sex on his mind. Andrew is a New Yorker who travels the world to capture beauty for various freelance jobs. Andrew chases beauty but he longs for a connection. On an assignment for ELLE magazine, Andrew travels to Cuba and brings his camera and appetite for women with him. This is a look at the lack of sexual taboo in Cuba, as well as the financial difficulties that lead to prostitution in some Cubans, for the purpose of survival.

Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.

This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.

Radical feminist Andrea Dworkin's expose on the pornography industry.

Sacred Water is a film about female ejaculation and the discussions around it.

Marta and Karina are sex workers also studying to become lawyers. Filmed over ten years, this documentary captures their unlikely journey from prostitution to the defense of women's rights.

This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.

A feature length documentary about the intense connections made between strangers over the telephone, and explores these anonymous conversations people are often too hesitant to have with the people closest to them. From crisis centers to psychics and sex workers, this documentary eavesdrops on the inner-workings of hotlines and puts faces to the voice on the other end of the line.

During casting sessions, young women from Copenhagen talk candidly about their sexual experiences. Initially, the two female directors wanted to make a film as a way of better understanding their own sexual desires and frustrations. In response to a casting call, more than a hundred ordinary young women turned up and talked straight into the camera about their erotic fantasies. As shooting progressed, the filmmakers realized that these intimate casting sessions should in fact be the final film.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.