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Madrid, 1987 is not what you’d call a #metoo-friendly film, which in and of itself is a good reason, though not the only one, to watch it. Miguel (José Sacristán), an old (not to say elderly) columnist, hopes to trick a beautiful young college student named Ángela (María Valverde) into having sex with him. There's nothing romantic about this situation, but then writer/director David Trueba is by no means trying to romanticize it. Ángela wants to be a writer and has written an essay about Miguel, which he has agreed to read; however, he is more interested in sexual than textual matters and soon stops pretending to care in the least about her writing — or, for that matter, his own. In an inversion of Borges' “many things I have read and few I have lived”, Miguel tells Ángela that “before, when something important happened to me, I would rush to write about it; now, I would happily stop writing if only something happened to me.” In that spirit, Miguel convinces Ángela to go with him to the studio of his painter friend Luis — who is conveniently away “in the mountains” —, ostensibly to “get to know her better” (know her in the biblical sense, that is). Miguel's seduction, if you can call it that, of Ángela is anything but glamorous, the writer missing with every swing — he asks her to take off her clothes and Ángela does a half-assed striptease; he pseudo-erotically traces lines on her skin with paint and she gets in the shower to wash them off; he gets in the shower with her and she gets out, and so on and so forth. For a film in which the two leads eventually spend most of the time naked, Madrid, 1987 is counterintuitively and deliberately anti-erotic. They both get locked in the bathroom (Luis having forgotten to warn Miguel about the faulty lock) — by accident, mind you; this is not another of Miguel’s lame attempts, although he definitely sees it as a sign to redouble his efforts to get Ángela to grant him sexual favors, even if it’s out of pity. Miguel is mostly full of shit — eventually admitting that everything he has said to Ángela has been a euphemism for 'let's fuck' —, but for all of his sophistry, he manages to cast one or two pearls of wisdom; for example: “in cinema and in literature I like to see people working” (echoing Roger Ebert’s statement that “actual work is more interesting than most plots”). Now, of Miguel's actual work we catch but a glimpse, and yet he comes across as one of the most genuine fictional writers/journalists I've ever seen in film; the director was himself a freshman journalism student in the titular year, and the character feels like someone the young Trueba might have met back then (under very different circumstances, one should hope).
During a mysterious thunderstorm, Vera, a young mother, manages to save a life in danger, but her good deed causes a disturbing chain of unexpected consequences.
Hamburg, Germany, summer 1988. A young bank employee embezzles a large amount of money using an ingenious technique and flees to Australia, from where he phones his girlfriend to tell her what he has done so easily; but her reaction is not what he naively expected.
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Das Experiment is a shocking psycho thriller about the potential for brutality that humans hide. Even more shocking is the fact that it’s based on an actual occurrence — a 1971 psychological experiment at Stanford University that was aborted prematurely when the experimenters lost control.
The 1980s snooker rivalry between Alex “Hurricane” Higgins and Steve “The Nugget” Davis, two very different personalities who helped popularise the sport on TV.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
After leaving jail, Víctor is still in love with Elena. But, she's married to the former cop-now basketball player-who became paralyzed by a shot from Víctor's gun.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
A River Runs Through It is a cinematographically stunning true story of Norman Maclean. The story follows Norman and his brother Paul through the experiences of life and growing up, and how their love of fly fishing keeps them together despite varying life circumstances in the untamed west of Montana in the 1920s.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.