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Maximilian Schell is good in this as the pretty odious "Pilgrin". He is an intellectual philanderer whom, upon the Nazi invasion of Poland, marries the wealthy Jewish "Mischa" (Ingrid Thulin). She is incarcerated in a concentration camp, presumed dead, but after the war meets her husband again only to discover that has taken up with her step-daughter Samantha Eggar ("Fabienne") and that he will stop at very little to get hold of what is left of her fortune. It's odd to see a film about Nazis and their horrendous treatment of the Jews and for that not to be the most toxic element of a film. That accolade must go to Schell, and to the really unlikeable Eggar - a pair who really do rather deserve each there. The film is just too long, there are too many sagging points and the score from jazz legend John Dankworth drags it down, too; but it does have a decent story, is well produced and the acting is effective too.
A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.
A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.
When Danielle decides to do a story on the life of a sex worker to please her boss and lover Peter, she meets Gage a professional gigolo. She quickly becomes interested in his work and starts to see a change in herself and her life.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Paulo, a young gay boy with an abusive mother, meets Tom, a young gay man who makes his money bedding women.
Beto, a young gigolo playboy, convinces his friends to break into a house to rape Marlene, a wealthy woman. They can not complete the mission, but the woman fall in love with Beto, who returns to become her lover. The case of the two, eventually involving the husband of Marlene, causes problems that the two can't solve.
Donald (Simon Yam) is a photographer who on Fridays is gigolo. On one particular friday entertaining his client is Sophia (Yau Yuet Ching), a ravenous rich man's wife he witnesses a murder in the street. Unable to report to the police for fear of her husband (who is soon revealed to be Donald's boss!), so Donald reports it to the police and poses as the witness.
After World War I, a war hero returns to Berlin to find that there's no place for him-he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
Adrian is a young fame seeker who rents himself out at social events. He cries at funerals, tells jokes at parties and applauds on opening nights. Suddenly, his luck changes and Adrian becomes an overnight smash...
Critics and the public say Karen Stone is too old - as she approaches 50 - for her role in a play she is about to take to Broadway. Her businessman husband, 20 years her senior, has been the angel for the play and gives her a way out: They are off to a holiday in Rome for his health. He suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome. She leases a magnificent apartment with a view of the seven hills from the terrace. Then the contessa comes calling to introduce a young man named Paolo to her. The contessa knows many presentable young men and lonely American widows.