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Maximilian Schell is good in this as the pretty odious "Pilgrin". He is an intellectual philanderer whom, upon the Nazi invasion of Poland, marries the wealthy Jewish "Mischa" (Ingrid Thulin). She is incarcerated in a concentration camp, presumed dead, but after the war meets her husband again only to discover that has taken up with her step-daughter Samantha Eggar ("Fabienne") and that he will stop at very little to get hold of what is left of her fortune. It's odd to see a film about Nazis and their horrendous treatment of the Jews and for that not to be the most toxic element of a film. That accolade must go to Schell, and to the really unlikeable Eggar - a pair who really do rather deserve each there. The film is just too long, there are too many sagging points and the score from jazz legend John Dankworth drags it down, too; but it does have a decent story, is well produced and the acting is effective too.
Gigolo and drifter Chance Wayne returns to his hometown as the companion of a faded movie star, Alexandra Del Lago, whom he hopes to use to help him break into the movies. Chance runs into trouble when he finds his ex-girlfriend, the daughter of the local politician Tom "Boss" Finley, who more or less forced him to leave his daughter and the town many years ago.
Critics and the public say Karen Stone is too old - as she approaches 50 - for her role in a play she is about to take to Broadway. Her businessman husband, 20 years her senior, has been the angel for the play and gives her a way out: They are off to a holiday in Rome for his health. He suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome. She leases a magnificent apartment with a view of the seven hills from the terrace. Then the contessa comes calling to introduce a young man named Paolo to her. The contessa knows many presentable young men and lonely American widows.
Daniel Matzen is a gigolo, a call boy who does his job in a purely professional manner and does not let any emotions approach him. But one day he falls head over heels in love with Kim, one of his customers. He even wants to let his gigolo job go for her, but there is someone who has something against these plans for the future: his regular customer Lisa.
Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.
A gambling queen uses blackmail to stop a British financier from closing her Chinese clip joint.
Romanian-French gigolo Georges Iscovescu wishes to enter the USA. Stopped in Mexico by the quota system, he decides to marry an American, then desert her and join his old partner Anita, who's done likewise. But after sweeping teacher Emmy Brown off her feet, he finds her so sweet that love and jealousy endanger his plans.
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
Kabukicho, Shinjuku, the number one entertainment district in Japan. There are professional gigolos who make this sleepless city their base and get what they want, from money and women to desire. They are the "gigolo" gang led by the charismatic Naoki Fushimi. Akira, Yuki, and Ryoma are aiming to become full-fledged gigolos. Akira has a girlfriend named Mariko who is a model for vinyl magazines. But that's not enough for a gigolo. For a gigolo, having sex for free is meaningless. Yuki finds a soapland girl named Misa, and Ryoma finds a woman named Yoko, and they spend a sensual night together. Meanwhile, Akira is taken by Mariko to help with a vinyl magazine shoot. Akira is getting increasingly impatient with his life, which can hardly be called gigolo...
Gabriel, a young male gigolo, works on Skid Row to send money to his mother back home. He forms the most unlikely friendship with Martha, an elderly woman and renowned author. “Peridot” breaks down the barriers and labels in a deeply ageist culture – a story that exemplifies that love and friendship know no age, race, gender, or label.
A dedicated schoolteacher spends her nights cruising bars, looking for abusive men with whom she can engage in progressively more violent sexual encounters.
He is young, good-looking and of Arab descent and gets lost amongst the glamour of Paris international jet set.