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The New York Times Presents - (Nov 23rd)
Lucky - (Nov 23rd)
WWE NXT- Level Up - (Nov 23rd)
On Patrol- Live - (Nov 23rd)
All Elite Wrestling- Rampage - (Nov 23rd)
Belle Collective - (Nov 23rd)
The Last Word with Lawrence ODonnell - (Nov 23rd)
Marketplace - (Nov 23rd)
The Fifth Estate - (Nov 23rd)
LIVE with Kelly and Mark - (Nov 23rd)
The Last Socialist Artefact - (Nov 23rd)
TMZ Live - (Nov 23rd)
The View - (Nov 23rd)
WWE SmackDown - (Nov 23rd)
All In with Chris Hayes - (Nov 23rd)
Alex Wagner Tonight - (Nov 23rd)
Blue Bloods - (Nov 23rd)
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Fire Country - (Nov 23rd)
Diners, Drive-Ins and Dives - (Nov 23rd)
Swankers and Slashers! OK! It should be noted that the finished film is not the film that director Michael Armstrong set out to make. Pretty much taken away from him in the writing department by the producer (Deke Heyward), and on the directing front by Gerry Levy, the garbled mess that is this film should not be held against the talented Armstrong. A bunch of young adults in swanky London get bored at a friend's house party and decide to move on to a nearby derelict house that is rumoured to be haunted. When one of them is found murdered, panic, mistrust and bad decision making ensue... Well, a third of the film passes before the group get to the supposed haunted house of the title. Up till then we are introduced to an intriguing stalker sub-plot and an introduction to the youngsters and their way of life. Sadly, what transpires is that the stalker angle proves to be pointless, and that the house is not haunted or indeed very horrific! In fact it's quite a funky old house. The characters just mope about and nothing much really happens, when the blood comes it just isn't enough to fulfil the patience that has been asked of the viewers. Cast are run of the mill, with Frankie Avalon badly out of place and Dennis Price as a police detective wandering in to proceedings for the easiest pay check he ever made. As a period piece it soars. The fashions, all paisley shirts, flares, mini skirts and kipper ties, are wonderfully garish, as is the colour schemes and decoration of the houses (woodchip wallpaper - oh my!). The cars, also, are a treat for nostalgists interested in a Britain that time forgot. While in the play some will note and enjoy the phallic symbolisms and attempts at guignol malarkey. But ultimately it's a poor film, and annoying because there are hits of what might have been. From the boring first third to the daft finale, this is another Tigon production that smells off. 4/10
You've got to watch this - if only for the wonderfully flowery clothing (particularly the boys) that is worn. Otherwise, it's a relatively run of the mill horror-flick featuring Frankie Avalon and Richard Barnes in a gang of young trendies who head to an abandoned country house for a séance. One of them is brutally murdered, they bury the body and head back to normality. Once the police (Dennis Price) start to investigate the missing man our gang of party-goers get spooked and head back to the scene of the crime and our slasher strikes again. It's quite tautly directed but the writing is terrible - it's really just a showcase for some good looking people with little substance and certainly no menace.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.
Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning.
A doctor moves his family into a mansion. His wife hears weird noises at midnight, then his daughter disappears mysteriously. His detective friend begins to look into this case, only to suspect everyone in this family is somehow complicit.
Nerdy high schooler Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. As the car changes, so does Arnie, whose newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie's girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.
A reporter unearths an urban legend about a home being constructed from rooms where horrific tragedies have occurred.
Five years after the horrible bloodbath at Camp Crystal Lake, new counselors roam the area, not sensing the ominous lurking presence that proves that the grisly legend is real.
An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve counselors. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...
After his revival in a hospital morgue, Jason fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers.
Homicidal maniac Jason returns from the grave to cause more bloody mayhem. Young Tommy may have escaped from Crystal Lake, but he’s still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason, is back for more sadistic slaughters.