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Hoot Kloot is guarding the cattle from the notorious cattle rustler Billy the Kidder. Billy's strange goal? Steal the cows so he can set them free in the wild.
A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
In a world wherein cars act like humans, Junior wants to be a taxi, but his mother wants him to grow up to be a nice touring car like his father. Mom doesn't know that Junior sometimes skips school and ventures into the city to ride in traffic, drink hi-test gas, and race trains.
Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.
Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.
Emily and Elizabeth are two peculiar sisters. They’re recluted from the world and became piano virtuosos.
A ten-year-old boy who hates his little brother is punished by his mother and has to spend an afternoon with a scary old man. The boy will learn a lesson about life when he discovers the old man’s terrible secret.