Here Come The Girls 3

A young caterpillar yearns to fly like the butterflies and birds, but cannot launch himself high enough to do so ... until a couple start playing badminton nearby.

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.

Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”

On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.

A gentleman is here shown partaking of a little lunch of bread and cheese, and occasionally is seen to glance at his morning paper through a reading glass. He suddenly notices that the cheese is a little out of the ordinary, and examines it with his glass. To his horror, he finds it to be alive with mites, and, in disgust, leaves the table. Hundreds of mites resembling crabs are seen scurrying in all directions. A wonderful picture and a subject hitherto unthought of in animated photography. Notable for being the first science film made for the general public.(IMDB)

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

A shy teen wants to ask out a girl on a date - but how can he know what she'd like to do, or what kind of activity would be best suited for getting to know her?

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.