アンラッキー・モンキー

Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

Members of a punk band attempt a robbery for and unknown client while having hired actors to impersonate them at their own concert.

A taut, economical policier-cum-gang-hostage thriller.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

Set in the late 19th century. When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.

While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.

Karen McCoy is released from prison with nothing but the clothes on her back. Before being incarcerated Karen was the bank robber of her time, but now she wishes for nothing more than to settle down and start a new life. Unfortunately between a dirty parole officer, old business partners, and an idiot ex-husband she will have to do the unthinkable in order to save her son.

A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.