El cine mexicano de fiesta

In 2010, the Mariemont Boys Cross Country team tries to repeat the historic season they had in 2009 after they lose their top two runners.

The film tells the life story of Roman Romancini, one of the most important Brazilian mountaineers, in his endeavor to reach his greatest dream: climbing Mount Everest, the highest mountain on the planet. Directed by Rafael Duarte (Bambalaio Filmes) and produced by Leonardo Edde (URCA Filmes), the documentary shows how Roman reached, during his preparation years, 4 of the “7 summits” during winter, considered by many an almost impossible mission. Survivor of the avalanche that hit the Khumbu Falls in 2014, a few feet from Everest Base Camp, Roman returned to the Himalayas four years later with Rafael Duarte and Padawa Shepa, who together documented the most challenging expedition of his life.

What happens to a relationship if a partner suddenly becomes severely disabled after an accident? For Gosia it is clear that she will stand by her boyfriend Tomek no matter what in order to let him live as normal and fulfilled a live as possible. But time and again she becomes painfully aware of her own limits, as well as of those of a society that talks a lot about inclusion but often does not seem to be ready for it. GOSIA@TOMEK is based on more than 3000 emails that Gosia has been writing to Tomek daily since his accident.

Documentary about Shaolin Monk training techniques and Jet Li .

A documentary about the trials and tribulations of being a entrepreneur and film maker in Finland from the makers of Iron Sky franchise.

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.

Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.

ONLY NOISE is a documentary that tries to rescue from oblivion a tale with Les Renards as protagonists, one of the many bands from the 60s that was a key witness and pioneer in the first big explosion of Uruguayan Rock. It might look like a tale from an ordinary band, but in 1968 this band managed to break a world record.

A short documentary film about the director's relationship with his deceased grandfather.

This documentary offers an honest look at our fraught, complex relationship to video games from the perspectives of gamers and their concerned parents.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.