Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
Hanky Panky 2023 - Movies (Apr 24th)
The Beekeeper 2024 - Movies (Apr 23rd)
Munch 2023 - Movies (Apr 23rd)
Drive-Away Dolls 2024 - Movies (Apr 23rd)
Challengers 2024 - Movies (Apr 23rd)
MR-9 Do or Die 2023 - Movies (Apr 23rd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (Apr 23rd)
Accidental Texan 2023 - Movies (Apr 23rd)
Exhuma 2024 - Movies (Apr 23rd)
Arthur the King 2024 - Movies (Apr 23rd)
Monkey Man 2024 - Movies (Apr 23rd)
The Cost 2023 - Movies (Apr 23rd)
Dangerous Waters 2023 - Movies (Apr 23rd)
Downtown Owl 2023 - Movies (Apr 23rd)
Blood Free - (Apr 24th)
FBI- Most Wanted - (Apr 23rd)
X-Men 97 - (Apr 24th)
Star Wars- The Bad Batch - (Apr 24th)
Grand Cayman- Secrets in Paradise - (Apr 24th)
FBI - (Apr 24th)
The Valley - (Apr 24th)
Vanderpump Rules - (Apr 24th)
Moonshiners- Master Distiller - (Apr 24th)
Under the Bridge - (Apr 24th)
The Big Door Prize - (Apr 24th)
Little People, Big World - (Apr 24th)
Mud Madness - (Apr 24th)
For the Love of Dogs - (Apr 24th)
Accused - (Apr 24th)
Saving Lives at Sea - (Apr 24th)
Michael Palin in Nigeria - (Apr 24th)
Hannity - (Apr 24th)
Gutfeld! - (Apr 24th)
Lopez vs Lopez - (Apr 24th)
This is an art film of sorts, eschewing dialogue or narration or a recognizable plot for a visual and musical banquet of images and scenes. So if you are into art films (or want to appear like you are), this is the film for you. The photographic techniques remind me of nature films, which may not be a coincidence since the subject matter seems to Focus on what is seen as being against nature. So it is all here: explosions and collapsing of buildings, a bridge, about five times, even what looked like a nuclear blast; then time lapse photography of city and highway traffic and masses of people walking; plus slow motion clips of masses of people walking; and shots of tenements and abandoned building and kids playing in water from fire hydrants — well, you get the idea. I like Philip Glass’s music, but there were times I didn’t think what they used quite fit what was being shown on the screen. But like he apparently told the producers more than once before they convinced him to take it on, movie scores weren’t his thing. So as the William Hurt character says in The Big Chill, just let the art flow over you. If nothing else, check out the dress and hair styles of folks in the wacky 1980s!
**For the general public, this film is uninteresting. However, it will have merits if displayed within the most correct context.** I've heard of this film as a documentary, but I honestly don't know if Godfrey Reggio really wanted to document anything. This was the director's debut, and for a first work we can say that there is quality, even though it is a somewhat strange film because it has nothing more than a soundtrack and successive images, which do not seem to have a relationship with each other. If this is an experimental film, I also can't understand what this director really wanted to experiment with. Making a film without a script and without a story? Honestly, this film looks a lot like those successive images that are sometimes shown in waiting rooms, for whoever is sitting there. And what about the film's title? I honestly thought it was some Croatian or Balkan film before I read something about the film and ventured out to see it. Only then did I discover that it was a term from the Hopi language, and that it means living in an unbalanced way. Without a defined script, without any actor, without a spoken word (the title is sung in a threatening Gregorian tone at the beginning and at the end, but I consider this part of the soundtrack pure and simple), we just see all the images and the sound of the music. In short, the film seems like a mute critique of the modern way of life, in contrast to what was lived in the past, before industrialization. It's what I think. And a good movie? It will be good as an introduction to the environmental debate, as a reflection film. For the general public who are not interested in debating these issues, it is not worth it.
This documentary combines archaeological and geological evidence with tales passed down through generations, uncovering a dramatic history of cannibals, vast stone cities, human sacrifice, and the epic voyagers who colonised the Pacific centuries before Columbus made it to America.
A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway. It's just a typical day in Berlin, but a day full of life and energy.
In the clear waters of the Gulf of Mexico, the undulant beauty and violent potential of underwater life are carefully balanced within the reef community. The coral, the fish, the crabs all live within the balance of a delicate web of life connecting all creatures of the deep, from tiny microscopic plankton to the 2000-pound manta ray and the mighty sailfish. This web of life connects all sea creatures and man by his presence beneath the sea, threatens the very existence of life within the oceans.
Descend into the crater of the Nyiragongo Volcano (in Zaire, Africa) to witness the terrifying yet spellbinding explosion of molten lava at its very source. Set to the Toccata and Fugue of J.S. Bach, the film is at once stunningly beautiful, yet plunges us into the very depths of hell. The extreme beauty of the visuals, together with the power of the music, creates an unforgettable experience.
View up close some of the smaller inhabitants of the Red Sea off the coast of Sudan - a world filled with strange, fascinating, and often comic creatures.
Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.
This landmark series explores a vast ocean that stretches nearly 10,000 miles, from Arctic to Antarctic and from sun-drenched tropical reefs to crushing abyssal depths. Over three programmes it reveals the amazing, surprising and resilient inhabitants of the Atlantic, both animals and people, as they pit themselves against the world’s wildest ocean.
The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.
"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture." - Anita De Groot