We Didnt Start The C-Trash

Goyas Ghosts

Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.
Movie Star Rating : 6.6  Read More

Perfect Day

The journey of a boy accepting that his lover is gone
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Soft

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.
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Its Teh Doctor

Emily has a doctor's appointment. Sorta. Kinda. Not really.
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Pending Title

Experimental middle school short
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Pending Title

2011 remake of 2009's experimental short Pending Title
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Allure

An introverted girl struggles to form connections through a strange social media site.
Movie Star Rating : 10  Read More

Achromatic

A perspective on everyday things.
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Second Sight

A young man becomes inundated by strange visions and a local homeless man while he and his acquaintances deal with the aftermath of a major disappearance in their city.
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Guaret

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
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The Tuba Thieves

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
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