A Journey Into the Holocaust

The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

In January of 1942, two first transports with hundreds of Czech Jews leave Theresienstadt for the east. After a journey lasting several days, the trains reach the Latvian capital of Riga.

Belarus between 1941 and 1944 was an apocalyptic place with nights lit by flames from hundreds of torched villages and with soil soaked in the blood of countless victims.

Around 80 years ago, the gynecologist Carl Clauberg conducted medical experimentation on Jewish girls and women in Auschwitz. The results of those sadistic experiments were used in medicine across the globe. It is possible that German companies played a part in those experiments. Most of the survivors became infertile, and very few of them were later capable to give birth. The Untold Story of Block 10 introduces the audience to those who have survived.

The true story of German-Czech businessman Oskar Schindler (1908-74) as told by some of the Jews — more than a thousand people — whose lives he saved from extermination during World War II.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Collin Searls tells the true story of his great grandmother, Rose Kurek, and her experiences in one of the darkest moments of human history, the Holocaust.

In over eight years of research, "Der Prozess" follows the longest criminal proceedings in Germany′s legal history - the "Majdanek Trial". In interviews with judges, the accused, victims and eye witnesses, and with the use of documentary footage and reports, the film recounts (in three parts) the legal trials against the workers and perpetrators of the Lublin/Majdanek concentration camp from the first day to the pronouncement of the judgment.

A fascinating, revealing, and poetic documentary exposing the disappearance, obliteration, and omission of a culture. The disappearance of a humanist equilibrium during the Ottoman Empire and the willful erasing of the nonconformist history of a city that did not adhere to the nationalistic ideology that turned the Balkans upside down and continues to do so. The ancient Jerusalem of the Balkans has become a forgotten city, a “judenfrei” city. Organized like a stroll around the urban environment and accommodating the words of survivors of the extermination camps of 1943, the film puts together fragments of memories and nostalgia to witness the exceptional past of the city. A Thessaloniki-born director tres to raise his own cinematic voice, to refuse the elimination and silence which are like a second death, more definitive than the first.

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.