Love's Labour's Lost

Shakespeare's plays were intended not to be performed by men only, it turns out, but rather by buxom young women in various stages of undress. Such is the premise of this low-budget vehicle which alternates between scenes of women stripping while performing scenes from the Bard's works and mock interviews with the cast and crew.

Don Pedro and his men (Teddy Roosevelt Roughriders) have returned from the wars. After Beatrice turns down his proposal, Don Pedro decides to matchmake her with Benedick (her former boyfriend), but she being an independent-minded, bicycle-riding Suffragette type, it's going to take a bit of trickery.

Shakespeare wrote this fantastic comedy in 1594. It features Lysander and Hermia, whose love is thwarted by Hermia's father, who wishes to marry her off to Demetrius, himself loved by Helena. In a magical forest, the couple cross paths with Obéron, king of the elves, who is quarreling with his wife and in possession of love potions.

Adaptation of Shakespeare's play.

Adaptation of Shakespeare's play, presented originally on television for schools in the UK.

When Juliet Capulet (of Shakespearean fame) is plucked from death and turned into a vampire, she is forced to live all eternity without her sweet Romeo. Now, 800 years later, Juliet meets a young woman who captures her heart again and teaches her that love and loss are all a part of life, and that a life without love is no life at all.

Fresh from her triumphs on Charlie Brooker's Weekly Wipe investigating time, Winston Churchill, and Donald Trump, Philomena Cunk has finally been given her own show - about William Shakespeare. Cunk will leave no stone unturned as she gets to the bottom of the Bard, visiting his birthplace, exploring the Globe, studying priceless artefacts and interviewing literally six different experts.

Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...

Comic Relief and Children in Need join forces to deliver a very special night of television, hosted by Lenny Henry and Matt Baker.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Two minor characters from the play "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them.