Arcadian 2024 - Movies (May 1st)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (May 1st)
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Revealed How to Poison a Planet 2024 - Movies (Apr 28th)
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The Beat with Ari Melber - (May 1st)
The ReidOut - (May 1st)
All In with Chris Hayes - (May 1st)
Alex Wagner Tonight - (May 1st)
The Last Word with Lawrence ODonnell - (May 1st)
Michael Palin in Nigeria - (May 1st)
WWE NXT - (May 1st)
Hard Quiz - (May 1st)
Money for Nothing - (May 1st)
Moonshiners- Master Distiller - (May 1st)
Dark Side of the Ring - (May 1st)
Vanderpump Rules - (May 1st)
The Big Valley - (May 1st)
Under the Bridge - (May 1st)
Moonshiners - (May 1st)
Mud Madness - (May 1st)
Wildcard Kitchen - (May 1st)
Farmhouse Fixer - (May 1st)
Body Cam - (May 1st)
Loot - (May 1st)
Most probably my least favourite film, both of Mel Brooks (though I haven't seen 'Life Stinks' yet) and of Leslie Nielsen (though I refuse to watch any other of the post-'Airplane' and 'Naked Gun' knockoffs he's made over the years since), but it still doesn't deserve all the hate. It's STILL at least 50,000 times funnier than Lena Dunham's 'Tiny Furniture' (or about 70% of the so-called contemporary American comedies made these days).
**Nielsen has done better, but this movie is good enough to be enjoyable and mildly funny.** This comedy, starring Leslie Nielsen and intelligently directed by Mel Brooks, is truly good. It is a parody of old horror movies, in which Dracula is an aristocratic undead who lives off the blood of unsuspecting humans. The film is more directly inspired by the old productions of Hammer Studios and Francis Ford Coppola's _Dracula_, which was still recent when the film was released. The script is, therefore, similar in every way to the last film I mentioned. Nielsen is perfectly capable of putting up with the film effortlessly, with a generous dose of good humor, charisma and spirit. The actor is a veteran of cinema comedies and satire, we've seen him before in very funny films, and the actor does well here again. However, I can agree with those who say that the actor has done better works. In addition to directing, Brooks gives life to Van Helsing and is also resourceful and witty, with a relatively flawless work, but also without major merits. Much better than Brooks was Peter MacNicol's excellent performance in the role of Renfield. The actor is good, and he seems genuinely deranged. Amy Yasbeck and Lysette Anthony do what they can, but they're not particularly happy, because their characters don't really matter here. Being a film that takes place in the Victorian England, it is possible that Brooks gave the cast instructions to try to Britishize their accents. However, such an effort rarely resulted in any happy results, not to mention the jokes, who didn't always work well, with several scenes sounding overly serious or dull. The sets, as well as the costumes, are good enough, and I didn't find any major problems with the question of the historical period. The regular cinematography, the satisfying but not brilliant editing and the relatively lukewarm soundtrack complete the production values of the film, which is far from being really good, but it turned out to be interesting, funny and good enough for us to bear watching it again.
**_Amusing parody of Dracula with Leslie Nielsen, Mel Brooks and Harvey Korman_** “Dracula: Dead and Loving It” (1995) is a Mel Brooks spoof of the Dracula story with the same fun style and goofy humor of “Young Frankenstein” (1974) and “Spaceballs” (1987). Unlike "Love at First Bite" (1979) with George Hamilton, the story doesn’t take place in the modern day, but is basically a silly redo of the first half of “Bram Stoker’s Dracula” (1992) along with bits from other Dracula flicks. With Nielsen as the protagonist, you can’t help but think of The Naked Gun movies. Meanwhile Steven Weber is effective as Harker and Peter MacNicol hams it up as Renfield. The presence of the stunning Amy Yasbeck brings to mind Brooks’ previous film, “Robin Hood: Men in Tights” (1993. Along with Amy, Lysette Anthony is a highlight in the feminine department as Lucy. Too bad her part wasn’t bigger (but it’s big enough, I reckon). The film runs 1 hour, 30 minutes, and was shot in at Culver Studios in Culver City, southeast of Hollywood. GRADE: B-
By day Gerri Dandridge is a sexy professor, but by night she transforms into a real-life vampire with an unquenchable thirst for human blood. When a group of high school students travel abroad to study in Romania, they find themselves ensnared in her chilling web of lust and terror. Charlie and 'Evil' Ed must stop Gerri from drinking and bathing in the blood of a 'new moon virgin', who just so happens to be Charlie’s ex-girlfriend.
A naive young screenwriter begins crafting a cliche-ridden horror masterpiece- but he soon discovers that putting the final girl through hell has its consequences...
Tom Riley once again owns the house on Steelmanville Road and upon taking possession, he discovers the previous owner had rented space to...Dracula. He then learns that he can't get rid of him because he has a lease so he has...a Dracula Situation.
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
A series of "vampire" style murders on campus has Sarah scared of her own shadow - It doesn't help that her new dorm mate Lilith wears only gothic clothing, is afraid of crosses, avoids daylight and resembles a member of the undead. Sarah becomes convinced that Lilith has something to do with the horrendous murders. When Sarah can't convince others of her outlandish theory...she becomes the next target.
A well dressed old man was waiting on a bed. A telephone rang. A glamorous young lady entered the room. They vaguely introduced themselves and made love. A bloody current exchange in a way.
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.