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Jack Wright? For some reason or other that name sounds familiar. The Dennis gang ride into the town of Plainview and set about robbing the bank. However, during their escape Alvin Dennis (John Pickard) is shot and killed by a one in a million lucky shot by mild mannered store keeper Jack Wright (Fred MacMurray). Further compounding the gang's misery is that Alvin was carrying the money and so the town have managed to reclaim what was briefly taken from them. Jack, in spite of his protestations, is hailed a hero by all and sundry, even picking up a substantial reward. But led by a hate filled Bob Dennis (Skip Homeier), the Dennis gang are plotting revenge and have Jack firmly in their sights. Jack is about to find out just who his friends are in the fickle town of Plainview. Yeah yeah yeah, At Gunpoint (AKA:Gunpoint!) is for sure a variation on the High Noon theme, and yes it proudly stands in its pulpit sermonising a moralistic viewpoint. Its central theme one that has been used a number of times in Westerns both prior and post this Allied Artists Pictures release. But so what? If a story, and the potent universal messages at its core, is worth telling, then tell it. As long as it's told well and not bogged down by poor technical aspects, then that surely is enough for the discerning genre fan? At Gunpoint is directed by Alfred L. Werker and is written by prolific Western story teller Daniel B. Ullman. It's a Technicolor/CinemaScope production with Ellsworth Fredericks on photography duties, and the wonderfully named Carmen Dragon provides a bracing score. Supporting MacMurray and Homeier are Dorothy Malone as Jack's increasingly fretful wife, Walter Brennan as a loyal Doctor friend who likes a tipple, while Whit Bissell is a welcome secondary character addition. So many good things to recommend here, it may be a simple fable, but it's lit up by high quality acting and thrives on the moody atmosphere constructed by Werker. MacMurray was always hit and miss, particularly in the Western genre, but when he got it right, or perhaps when he had an understanding director? He was real value for money. Such is the case here. His Jack Wright is an honest man reluctantly put up on a pedestal, thus he quickly becomes a scared man. Naturally fearful for his wife and child, he doesn't hide that he himself is no hero, and has no wish to become one. MacMurray perfectly plays it restrained, thus it is heartfelt and believable. Homeier was always best when playing a snarly villain and here he delivers just that, a villain hell bent on revenge, an avenging brother whose actions speak louder than words. Werker was an old pro, a jobber director, and here he was coming to the end of a career that would span 32 years. He offers up some nice tonal delights here. Witness the dusty storm that descends upon Plainview, it coincides with the town residents having a change of attitude. Then there's his framing of the Dennis gang as they come for revenge, it's impossible not to think of them as the four horsemen of the apocalypse. While the final shoot out, and the twist in the horse tail, is awash with tension and crowned by a remarkable bit of stunt work. This a fine film that belies its "B" movie roots. One that will hopefully find more fans as the years roll by. 8/10
Set at the peak of the Australian Gold Rush, a young grave digger seeks vengeance for the death of his brother from a wealthy town Commissioner.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach.
Die deutsche Fotojournalistin Katharina macht eine Reportage auf einer texanischen Ranch. Dabei verliebt sie sich - trotz aller Gegensätze - in den Chef-Cowboy. Und er sich in sie. Aber hat die Liebe eine Chance?
Donnie Mann, his father and uncle embark on a weekend hunting trip in West Texas, where they find a mysterious man shot in the stomach and clutching a backpack full of money.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
The legendary true story of a small band of soldiers who sacrificed their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
Alberto and Leonor have a son, they find out that one of the masked men who attacked them was her nephew, things get difficult for them when they find out about a testament left by her grandmother.
A family of homesteaders taken captive by a gang of outlaws. Their survival comes to rest in the hands of Irene: a loud-mouthed 12-year-old girl who's got an uncanny knack for shooting guns.
This George O'Brien western is based on a novel by Max Brand, previously filmed as the 1920 Tom Mix vehicle The Untamed. Cast as devil-may-car Whistlin' Dan Barry, our hero rides into a passel of trouble in a wide-open town. Warned to leave the premises or else, Whistlin' Dan refuses to do so, sticking around long enough to whomp villain Jim Silent (Mitchell Lewis) and romance heroine Kate Cumberland (Louise Huntington).
Sam Elliot stars as Sam Houston, the visionary who nearly single-handedly forged the state of Texas into a powerful entity in its own right. Refusing to forget the Alamo (as if anyone could), Houston led the military in Texas' rebellion against Mexico. G.D. Spradlin co-stars as President Andrew Jackson, with Michael Beck appearing as Jim Bowie, James Stephens as Stephen Austin, and Richard Yniguez as Mexican General Santa Anna. Lensed on location in the Lone Star state, this sweeping made-for-TV film originally occupied three hours' screen time on November 22, 1986. Its title at that time was Houston: The Legend of Texas. ~ Hal Erickson, Rovi