Las Madres de la Plaza de Mayo

With charm and wit, Nichols discusses his life and 50-year career as a performer and director.

Medieval art treasures seized by the Nazis go missing at the end of World War II. Were they destroyed in the chaos of the final battles? Or were these thousand-year-old masterpieces stolen by advancing American troops? For over forty years, the mystery remained unsolved. A true detective story, "The Liberators" follows a dogged German art detective through the New York art world and military archives to the unlikeliest of destinations: a small town on the Texas prairie. Featuring interviews with Willi Korte (Portrait of Wally) and Texas attorney Dick DeGuerin, the film raises intriguing questions as to the motivations of the art thief and the whereabouts of the items that, to this day,

In East Los Angeles, three young misfit women find solace in an unapologetic, feminist bicycle crew. They call themselves the Ovarian Psycos Bicycle Brigade.

A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.

The intimate story behind our changing relationship with death. A terminal diagnosis used to mean death within months. Modern medicine allows patients to live on for years. A passionate and touching film about uncertainty, about the future that faces all of us, following five patients who choose to sing their way through life, with a score by Mark Orton.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

A documentary about film noir films made in Los Angeles.

The U.S. scholarships Austrian student Inge and young mining student from Burma Sao Kya Seng fall in love. But it's only at the lavish wedding ceremony that Inge discovers her husband is the ruling prince of the Shan state of Burma. After a coup staged by the Burmese military, Sao is imprisoned. Inge does everything she can to free him. Base on the true story of Inge Sargent.

This documentary focuses on the making of the 235-minute, silent epic Napoleon, the masterpiece of French director/writer/actor Abel Gance. Napoleon showcased Gance's talents with the camera, his use of multiple-images (like a split screen), and his handling of crowded action scenes - all brought forward in this documentary by his later assistant, Nelly Kaplan. While Gance was shooting Napoleon in 1925-26, he and his crew were also being filmed for a documentary titled Autour de Napoleon. The only extant reels from that documentary are included in this film, as well as views of Gance's unique "triptychs" - three different scenes lined up side-by-side across a super-wide screen to convey the effect of a panorama, or of three separate interludes. Nelly Kaplan put together this documentary using old footage, such as Gance filming the famous snowball fight at the Brienne military school and still photographs and excerpts from Gance's production diaries.

The Hungarian Maria's Day is set in that most fateful of years, 1848. The incredible changes and reverses in European politics and culture exert a potent influence on one aristocratic Hungarian family. Losing virtually everything in the way of creature comforts, the family tries to keep up appearances. Eventually every member of the clan falls victim to illness, syphilis and their own headstrong foolishness. The parallels drawn by director Judith Elek between the dissipation of 19th century Hungarian aristocracy and the corruption of Communist ideology in modern times are inescapable.