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There's just (and I mean just) enough there for a good time. I like 'Planes' If I'm honest, even if it does feel like a copy of 'Cars 2' in quite a few places; the biggest one being the race around the world. I don't love Dane Cook as Dusty either, but I can't deny that after viewing this I feel fine about it. It was always going be similar to the 'Cars' films, given this is set in the same universe as that franchise. However, they should've done more to separate it though, especially with the overall premise and the characters. Away from Cook, who I feel sounds too wooden in the lead role, the cast is actually fairly decent. Stacy Keach (Skipper), Priyanka Chopra (Ishani) and Teri Hatcher (Dottie) are enjoyable. Honestly, I'm not entirely sure why this leaves a positive impression - I can see why many dislike this, but I didn't. It narrowly creeps a 7 for me.
**It took off reasonably well, but if we push it, it quickly stalls.** I know that this movie is a spin-off from “Cars”, but do you know? I was more curious to see this film than I am to see “Cars” (I haven't seen it yet, I will see it very soon). It's just that, despite driving, I've always felt great affection and interest in the world of aviation, to the point of spending afternoons at the airport to watch planes arrive and depart when I was younger. I was also a regular spectator of the Red Bull Air Races whenever they were held here in my city. I know the film had relatively mixed reviews, with many critics hating it and others trying to see various saving qualities in just about everything. Personally, I'll be fine halfway through: the movie isn't disastrously bad, I believe that, as far as the Disney universe is concerned, I've seen far worse, but it's also far from good. Starting with the qualities, it is impossible to deny that the animation and visuals of the film were well done and are pleasant to look at. The computer effects and digital animation are the best available, and without a doubt, Disney had the people and expertise in-house for the task at hand. The models used in the planes in the film are reasonably similar to their originals in real life, which reveals that the production was attentive to details and tried to give the film a very acceptable dose of realism. Even more impressive is the footage of the races and aerial maneuvers. The film is very well edited, it is not bulky or heavy and does not stretch too much, being very suitable for young people, and quite tolerable for everyone else, including adults. The work of the voice actors, for me, is at a very acceptable level, but not brilliant: with the exception of John Cleese, who has an unmistakable tone and accent, and Dane Cook, who does an equally good job, the overwhelming majority of the voice actors just do what they had to do. I liked Priyanka Chopra, I think she managed to avoid the temptation to give her voice an overly heavy Indian accent that people might not have liked, and Julia Louis-Dreyfuss for her use of Canadian French. Carlos Alazraqui sounded too dense to the point where I thought he was Antonio Banderas, and the accent was too strong, but he at least knew how to be funny. For me, one of the things I didn't like is the way the soundtrack is so dull. The only moments in which it stands out and sounds good are in the love serenades and at the moment when planes fly over the Taj Mahal. If we consider that songs have been one of the strengths of Disney animation, it's impossible not to be sad about it. But the script is where, really, the big problems of this film are: what the film brings us is the recycling of the old sports success story that we have already seen thousands of times in thousands of modalities: the outsider with no chances who, for his good heart, goes on succeeding and wins, after defeating the perverse and envious rival. And of course: there's a romance going on there, and the pretty, nice girl isn't all that innocent. It's old, it's cliché, it's not enough for what Disney has used us to, and it's sad to see the studio settle down like this. The dialogues didn't help: I can still understand and accept the aviation jargon, but the sheer amount of clichés and barbershop talk is too much for me. Regarding the characters themselves, what I want to say is simply this: they are not really well-developed, and the poor quality of the script leaves one to guess to what extent this is true. However, and directly addressing an issue that has raised some controversy, I understand and accept the ethnic allusions and cultural “stereotypes” that were applied to each plane. I know that there are more and more people who take this badly, and I agree that yes, it is generally offensive and reductive. However, this is an animated comedy, it is not something that I feel should be taken too seriously, and if we consider that each plane represents its country, this turns out to be a way to bring a little bit of the mental imagery of that country to its representative. Thus, the English plane is very cordial, but sarcastic and has a peculiar humor; the Mexican plane is romantic and has the craze that is Zorro; the Canadian plane speaks French, the Indian plane has saffron color and elaborate designs etc. If I, who am Portuguese, were seriously offended whenever films or series show a Portuguese character as a football player, a bearded sailor or a baker with a mustache, I wouldn't have time to do anything else in this life!
Follow the crazy adventures of the young salmon-chan (Half human/half salmon) as she tries to get eaten.
During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.
Bobby Jones magnanimously demonstrates two specific aspects of a good drive: Position and back swing.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.