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The Dead End Date! To be honest, I wasn't at all surprised to find that after viewing Jeremy Lovering's "In Fear" that the hatred for it on internet sites was large. It's that type of film, a film existing in the horror field of things that can cause mass debate, disappointments for those after a jolting or gory shocker, and yet there's also pleasures that some have found in it. If you have seen it and hate it then there's no need to read on, I got nothing for you, this is purely a review by someone who loved it and hopes that anyone who hasn't seen it may just give it a chance. A young couple very early in their courting relationship are driving across rural Ireland to a music festival. After a fraught stop at a local public house, they continue on the journey only to get lost. As night draws in and they appear to go around in circles, they start to get menaced by person or persons unknown and unseen... As anyone who has been in the situation will attest, getting lost in an unfamiliar countryside is no fun, especially when the night falls. "In Fear" pitches two young characters (played superbly by Iain De Caestecker & Alice Englert who are reacting naturally) into one such scenario. This is a couple who are only two weeks into their relationship, they don't really know each other do they? So when things start to get tense and scary they are naturally ill at ease with each other's company, they have no idea how to react to what is happening to them - which is continuously ambiguous. Two people in a car in the countryside shouldn't be scary, but it is because things get tense. Things start to happen to them, simple things that suggest an outside force is at work, all while the once pretty scenery has become a menacing backdrop, with the sound work prodding away at our fretful protagonists. Then a third party enters the fray and things get even more ambiguous, but such is the stripped down nature of the pic the nail-biting tension goes up another notch. This is not new horror cinema, in fact it's a little contrived in places, but all the fears on show here are easy to relate to. Both as regards the scary situation and as an early date experience! It's stylishly filmed by Lovering and his cinematographer David Katznelson, with tight close-ups and nifty use of the dark spaces on the country roads turning the tension screws. All of which just leaves the ending, an ending which will either infuriate or baffle you, or conversely have you nodding in admiration at the bare faced cheek of it. 9/10
"Tom" (Iain De Caestecker) and his girlfriend "Lucy" (Alice Englert) are heading to a music festival in Ireland when they manage to get themselves lost. The quiet and dark country lanes begin to seem more menacing, they see strange things hanging from the trees (not the audience, quite yet) and then they almost kill "Max" (Allen Leech). The atmosphere inside their car, with their bleeding passenger antagonising merrily, gradually worsens until tempers flare and perhaps, - no kidding - "Max" isn't quite what he originally appeared to be. To be fair to auteur Jeremy Lovering, the photography does help create a slight sense of peril, but the story is so very derivative and the acting is college project stuff. I challenge anyone not to have guessed the dynamics of the plot after twenty minutes, and as the story lurches from one expletive-ridden, hysterical, scenario to the next, the whole film degenerates into a really rather poor attempt at an horror film which delivers characters about whom I couldn't have cared less travelling the lanes of Ireland - an island which this film must have increased in size tenfold - that I could not even appreciate for some fine daytime scenery. Yes, I'm sure I ought to cut it some slack. Poorly funded independent cinema and all that, but none of that really has to matter if the story is sound and the talent up to the task. Sadly, neither is true here.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
When a madman dubbed 'Scorpio' terrorizes San Francisco, hard-nosed cop, Harry Callahan – famous for his take-no-prisoners approach to law enforcement – is tasked with hunting down the psychopath. Harry eventually collars Scorpio in the process of rescuing a kidnap victim, only to see him walk on technicalities. Now, the maverick detective is determined to nail the maniac himself.
After stalking and saving the life of her favorite fiction author in a car accident, his manic obsessor holds him captive in her remote Colorado home then forces him to write back to life the popular literary character he killed off.
Newly-paroled former US Army ranger Cameron Poe is headed back to his wife, but must fly home aboard a prison transport flight dubbed "Jailbird" taking the “worst of the worst” prisoners, a group described as “pure predators”, to a new super-prison. Poe faces impossible odds when the transport plane is skyjacked mid-flight by the most vicious criminals in the country led by the mastermind — genius serial killer Cyrus "The Virus" Grissom, and backed by black militant Diamond Dog and psychopath Billy Bedlam.
Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent people. The genius behind this project is Jack who lives in a world of models, toys and magazines. When he is fired by Cale for killing a few corporate officers, he unleashes the ultimate killing machine called the 'Warbeast' against Cale and those who would help her.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.