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In 1966, Jean-Luc Godard made the acquaintance of some young members of the French Left who felt a strong pull towards Maoism. By looking to China, they sought to escape the traditional division of the French Left into supporters of the Soviet Union, which had lost its revolutionary fervour, and Trotskyist parties, which were impotent. (Of course, at the time the West was still generally unaware of the horrific toll of Mao's policies.) Godard, whose sociological curiosity and political engagement was strong in these years, decided to study this phenomenon, and the result is LA CHINOISE. While Godard would eventually go on to make a few films that were so didactically political that one felt bludgeoned by the message and watching was no fun, this one surprised me in how entertainingly its plot played out and how astute its observations were. In a Parisian flat borrowed for the summer while one member's parents are away, a group of young radicals lodge together and fancy themselves a revolutionary cell. Chief among them are Guillaume (Jean-Pierre Léaud), Véronique (Anne Wiazemsky) and Yvonne (Juliet Berto). They read daily from Mao, decrying the Soviet Union and French society, and practicing their demagoguery for their occasional attempts to bring their message into the streets. Gradually, they come to decide that terrorism is necessary to achieve their goals, and they gang up on the sole dissenter from violence and kick him out of the flat. Francis Jeanson, a French academic and opponent of the war in Algeria, as well as Wiazemsky's actual thesis adviser, appears as himself in a scene where he attempts to dissuade Véronique from violence, asking just how much support from the oppressed masses does this sheltered girl think she has. As desperate as he was for a cause to uphold, I don’t believe that Godard really committed himself deep down to Maoism or revolutionary socialism in general. His bitterness against the staid French status quo is palpable, and he likes how the French Maoists at least recognized a need for change, but LA CHINOISE affectionately criticizes its subjects more than it celebrates them. Rather than presenting Maoism convincingly as a way forward, LA CHINOISE ultimately suggests it was only the most recent expression of the drive to rebellion that appears afresh in every young generation. While these characters are Maoists, he borrowed the basic outlines of the plot from Dostoyevsky, who described a set of young radicals well before Marxism-Leninism. The filmmaker underscores how such idealistic young people take themselves too seriously, he shows their adoption of Maoist art as a sort of fashion statement, their use of Maoist terminology as the latest hip slang. There are some fun touches here, the acerbic humour and amusing dialogue that Godard brought to his storytelling. The occasional use of Brechtian distancing techniques, like when Guillaume suddenly breaks character and talks to cinematographer Raoul Coutard, lead the viewer to reflect more on what is happening. And in spite of Godard's revolutionary sentiments, LA CHINOISE maintains a dialogue with the film tradition (cinephiles will chuckle at the avant-garde snippet that occasionally pops up in the soundtrack, a clear nod to Ingmar Bergman's film PERSONA). Like Godard's early colour films, this is also a visual pleasure. Much of the first half of the film seems to me a study of faces: Léaud's famous expressiveness, Wiazemsky's quirky overbite and distinct way of moving her mouth to the left when talking, and Berto's sad eyes. The set design is clever, full of little details. It's great that Gaumont has re-released this film in Blu-Ray (with English subtitles), so viewers can appreciate all those touches in high-definition. I wouldn't recommend LA CHINOISE to someone who had not seen Godard's earlier films, but I rate this pretty highly among his body of work and believe that it will impress anyone who has developed a love for this auteur's style.
The true story of British intelligence whistleblower Katharine Gun who—prior to the 2003 Iraq invasion—leaked a top-secret NSA memo exposing a joint US-UK illegal spying operation against members of the UN Security Council. The memo proposed blackmailing member states into voting for war.
One of the members of a gang of thieves commits a serious mistake that force them to work for a ruthless gang of drug dealers, endangering the future of the team, their lives and those of their families.
In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.
A biopic of famous French writer Françoise Sagan, best known for her groundbreaking first book, Bonjour Tristesse.
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.
Meena, a 12-year-old living in a mining village in the English Midlands in 1972, is the daughter of Indian parents who've come to England to give her a better life. This idyllic existence is upset by the arrival in the village of Anita Rutter and her dysfunctional family.
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.
"The Work and The Glory: American Zion" sets the story of the fictional Steed family against the historically factual backdrop of the Mormon people's move into the West. Divided by their diverse reactions to a nascent ideology, the Steeds struggle to hold together as the strength of their convictions and their filial bonds are tested. The stirring narrative of the faith that led a persecuted people to Missouri and beyond is one of the most poignant untold tales of American history. It is the account of a valiant struggle to exercise the rights promised by a fledgling nation. "The Work and the Glory: American Zion" unearths the story of the passion behind the movement which eventually launched the largest American migration and the colonization of the West: the vision of a promised land in America.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.