Hell on Earth: The Desecration & Resurrection of The Devils

An intimate portrait of an old man coming to terms with own mortality and letting go off his magnum opus - his garden. Living through an autumn of his life, he reminisces about his life filled with hard work, love for nature and onions.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

The documentary follows the story of two brothers who were sexually abused by the same priest of Polish Catholic Church.

Gives voice to the experiences of Irish institution survivors and focuses on the life and upbringing of one survivor, Anne Silke. Silke was fostered out of the St. Mary, Bon Secours Mother and Baby Home in Tuam at the age of 9 to the Killileas, a prominent political family from Tuam. Untold Secrets recounts her often brutal and abusive treatment at the hands of her foster family and reveals never seen before interviews with fellow survivors. Although Silke is now deceased the documentary gives a posthumous voice to Anne and possibly some closure to her family.

Carlos Boyero is one of Spanish cinema's most followed and feared figures. Controversy has hounded him since he published his first article more than forty years ago, and he has remained in the eye of the hurricane ever since. Is he the last representative of a disappearing time? Has social media put an end to the traditional influence of the critics. Taking the background and personality of this very controversial figure as its basis, El crítico / The Critic will also endeavour to reflect on the enormous changes taking place in Spain in the field of film criticism.

In recent decades, more than 10,000 children reportedly were sexually abused by Catholic priests in the US. From behind the headlines, filmmaker Joe Cultrera tells the very personal story of how the crisis affected his family. It is the intimate story of how his brother, Paul, was molested in the 1960s by a priest who also reportedly abused nearly 100 other children. In an emotional film, the Cultrera family tells their story of faith betrayed.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

An analysis of Quentin Dupieux's film "Incredible But True" by film critic Elena Lazic.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?